Traditional Forms of Japanese Theatre in Cinema

Abstract

This article explores the influence of traditional Japanese theatre on the formation of Japan’s cinematic language. It examines major theatre forms, each contributing differently to the evolution of Japanese film. Particular attention is given to the interaction between Kabuki and early cinema: stage techniques, the participation of onnagata actors, and the visual language shaped by theatrical aesthetics. The study highlights film examples where traditional theatrical elements became integral to artistic vision, including works by Akira Kurosawa, Masahiro Shinoda, and Andrzej Wajda. It also analyzes the use of Bunraku puppetry as a stylistic device and the symbolic role of Noh masks in expressing characters’ inner states.