Beyond the canvas: women who transformed painting

E. A. Korenkova

Abstract


The article examines the role of women in the history of painting, spanning from the Renaissance to the present day. It analyzes the impact of systemic barriers, such as the lack of access to education, gender biases, and social restrictions, on their ability to pursue art professionally. Special attention is given to the mechanisms through which women’s creative endeavors were marginalized, including exclusion from academic institutions and the canon of art history. The paper emphasizes the significance of painting as a form of self-expression for women under conditions of social and cultural pressure. Through the examples of Artemisia Gentileschi, Berthe Morisot, and Frida Kahlo, the article illustrates how women’s art served as a tool of resistance against established norms and as a means of critically reflecting on reality. The study also addresses the reevaluation of art history to recognize the contributions of women artists, which have traditionally been overlooked or undervalued. It highlights the necessity of integrating women’s experiences into the broader narrative of cultural heritage. The author concludes that rethinking gender aspects in art history not only fosters a more equitable approach but also deepens the un- derstanding of the diversity of artistic expression that shaped the cultural identity of different eras.

Keywords


women in art; history of painting; gender stereotypes; women’s creativity; female artists of the Renaissance; discrimination in art; Artemisia Gentileschi; Berthe Morisot; Frida Kahlo; art education; art and gender; rethinking the canon

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DOI: http://dx.doi.org/10.31312/2310-1245-2025-63-86-99

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