MONTAGE-THING-IMAGE: THE HOMO AESTHETICUS «HERMENEUTICS»

Надежда Васильевна Голик, В. Б. Малышев

Abstract


The article discusses montage as the process of assembling the elements in the sensual-experienced unity. In this case Nature is presented as the ideal image of the Creator, the Artist. That is it creates some form of primary and therefore the symbols. Authors analyze the concepts of M.Heidegger, S.Eisenstein and G.Deleuze.


Keywords


nature; Genesis; installation; thing; image; semiotics; creator; artist; media reality

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