ANALYTIX OF IMAGE IN TRILOGY OF K. KIESLOVSKI «THREE COLOURS»

М. Н. Могилевич, Т. А. Балакирева

Abstract


The purpose of the article is to give the reader some information on structural units of image in trilogy of K. Kieslovski «Three colours», every one of which is examined as a separate part of the integral semiotic system. It is spoken in detail about the theses that are the messages for each part of trilogy within the director’s autobiography.


Keywords


image; documentary filmmaking; art filmmaking; K. Kieslowsky

References


Артамошкина Л.Е. Феноменология как концептуальное основание биографического метода // Вестник ЛГУ им. А.С. Пушкина. Т. 2. №4. 2012. Издательство ЛГУ им. А.С. Пушкина.

Кесьлёвский К. О себе. URL: http://krzysztof-kieslowski-about-myself.blogspot.ru/search/label/ chter%205.%20Trzy%20kolory%20%2FThree%20Colors%20%2FTrois%20couleurs%20%281993%29 (дата обращения 27.11.2016)

Zizek S. Kieslovski: from documentary to fiction. — Filmwaves, summer 2000, № 12. URL: http://kinoart.ru/archive/2001/06/n6-article20 (дата обращения 27.11.2016)

Топоров В.Н. Мифы народов мира. Т. 2, М., 1992


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