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| Issue |
Title |
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| No 67 (2026) |
The image of the movie heroine based on Slavic myths |
Abstract
PDF (Русский)
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V. A. Borzykh |
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| No 67 (2026) |
A semiotic reading of the film “Titanic” |
Abstract
PDF (Русский)
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A. A. Nikolaevich |
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| No 67 (2026) |
God’s Penalty or test? The leprosy and Balduin IV’s perception in the Middle Ages |
Abstract
PDF (Русский)
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M. A. Tyulyandina |
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| No 67 (2026) |
The Moscow and Leningrad photo underground of the 1960s–1980s: cultural context and meanings |
Abstract
PDF (Русский)
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D. M. Meleshko |
| |
| No 65 (2025): Culture in conditions of instability, uncertainty, complexity and ambiguity |
The effect of applying digital filters in photo processing on the evaluation of human attractiveness |
Abstract
PDF (Русский)
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S. Yu. Pustovalova |
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| No 65 (2025): Culture in conditions of instability, uncertainty, complexity and ambiguity |
Application of the Vienna Integrated Model of topdown and bottom-up processes in art perception (VIMAP) in the aesthetic analysis of the tattoo phenomenon |
Abstract
PDF (Русский)
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I. D. Repin |
| |
| No 65 (2025): Culture in conditions of instability, uncertainty, complexity and ambiguity |
Beyond Barthes: analysing texts of various forms and genres |
Abstract
PDF (Русский)
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|
D. S. Zaitseva, A. S. Zinchenko, A. K. Katmakov, D. Yu. Kayutkin, B. G. Sokolov, Yu. V. Sysoeva |
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| No 65 (2025): Culture in conditions of instability, uncertainty, complexity and ambiguity |
Spatial images in the works of Tomsk science fiction authors of the late XX–early XXI centuries |
Abstract
PDF (Русский)
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D. R. Akhmedshina |
| |
| No 65 (2025): Culture in conditions of instability, uncertainty, complexity and ambiguity |
Translators` professional education and work from the culturological prospective |
Abstract
PDF (Русский)
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D. I. Vasileva |
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| No 64 (2025): Culture sonorous. Musical Culture |
‘Renaissance’, ‘Enlightenment’ and ‘Baroque’ in the Orient: phenomena of autochthony and diffusion within N.I. Conrad's concept of world sociocultural development |
Abstract
PDF (Русский)
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D. D. Afanasyev |
| |
| No 64 (2025): Culture sonorous. Musical Culture |
Imperial Orchestra and classical music |
Abstract
PDF (Русский)
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A. S. Zinchenko |
| |
| No 64 (2025): Culture sonorous. Musical Culture |
Art culture in the conditions of development of artificial intelligence: music and visual art (on the example of China) |
Abstract
PDF (Русский)
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Сziahao Yan |
| |
| No 64 (2025): Culture sonorous. Musical Culture |
On the question of the city hauntological sounds (using the example of the Uktus aviation identity) |
Abstract
PDF (Русский)
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|
O. A. Mikhailova |
| |
| No 60 (2024) |
The life and work of K.V. Nabokov: the problem of classification and interpretation of sources |
Abstract
PDF (Русский)
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D. D. Afanasyev |
| |
| No 60 (2024) |
Cinema as synthesis of arts: person, space and time |
Abstract
PDF (Русский)
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Ya. R. Ivlev |
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| No 60 (2024) |
Barcarolle — a cultural topos of Venice of the 19th century |
Abstract
PDF (Русский)
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A. Glushkova |
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| No 60 (2024) |
Evolution of understanding of musical time and essence of the concept “musical temporalnost” |
Abstract
PDF (Русский)
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S. V. Nikishina |
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| No 60 (2024) |
Communicaton space of amateur chorus and authoritarianism of musical craft |
Abstract
PDF (Русский)
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V. V. Prudyak |
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| No 60 (2024) |
Musical elements in the mysteries of the Altai shaman and Kam: semiotic and phenomenological analysis in the context of European musical culture |
Abstract
PDF (Русский)
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D. A. Yarochkin |
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| No 59 (2024) |
The fusion of art and technology exploring the boundaries of new media aesthetics |
Abstract
PDF (Русский)
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W. Li |
| |
| No 59 (2024) |
From object to event: digital transformation of art and the concept of ‘digital readymade |
Abstract
PDF
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E. V. Boruta, B. G. Sokolov |
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| No 59 (2024) |
Gravestone as a media. Anthropological view on the circumstances on digital remediation of cemetery in modern Russia |
Abstract
PDF (Русский)
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A. A. Lestova |
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| No 59 (2024) |
Transformation of professional identity`s elements in the remote employment context |
Abstract
PDF (Русский)
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D. I. Vasilyeva |
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| No 59 (2024) |
The influence of Western and Russian fine arts on Chinese painting |
Abstract
PDF (Русский)
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X. Meng |
| |
| No 58 (2023) |
Reduction of the Transcendent As the Basis of the Imaginative Turn in Neopragmatism |
Abstract
PDF (Русский)
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Yu. S. Magomedova |
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