SCHOLA
| Issue | Title | |
| No 60 (2024) | The life and work of K.V. Nabokov: the problem of classification and interpretation of sources | Abstract PDF (Русский) |
| D. D. Afanasyev | ||
| No 60 (2024) | Cinema as synthesis of arts: person, space and time | Abstract PDF (Русский) |
| Ya. R. Ivlev | ||
| No 60 (2024) | Barcarolle — a cultural topos of Venice of the 19th century | Abstract PDF (Русский) |
| A. Glushkova | ||
| No 60 (2024) | Evolution of understanding of musical time and essence of the concept “musical temporalnost” | Abstract PDF (Русский) |
| S. V. Nikishina | ||
| No 60 (2024) | Communicaton space of amateur chorus and authoritarianism of musical craft | Abstract PDF (Русский) |
| V. V. Prudyak | ||
| No 60 (2024) | Musical elements in the mysteries of the Altai shaman and Kam: semiotic and phenomenological analysis in the context of European musical culture | Abstract PDF (Русский) |
| D. A. Yarochkin | ||
| No 59 (2024) | The fusion of art and technology exploring the boundaries of new media aesthetics | Abstract PDF (Русский) |
| W. Li | ||
| No 59 (2024) | From object to event: digital transformation of art and the concept of ‘digital readymade | Abstract PDF |
| E. V. Boruta, B. G. Sokolov | ||
| No 59 (2024) | Gravestone as a media. Anthropological view on the circumstances on digital remediation of cemetery in modern Russia | Abstract PDF (Русский) |
| A. A. Lestova | ||
| No 59 (2024) | Transformation of professional identity`s elements in the remote employment context | Abstract PDF (Русский) |
| D. I. Vasilyeva | ||
| No 59 (2024) | The influence of Western and Russian fine arts on Chinese painting | Abstract PDF (Русский) |
| X. Meng | ||
| No 58 (2023) | Reduction of the Transcendent As the Basis of the Imaginative Turn in Neopragmatism | Abstract PDF (Русский) |
| Yu. S. Magomedova | ||
| No 58 (2023) | Whatever Happened to Cinematic Experience: From Sense Data to Experienceness in the History of Aesthetics | Abstract PDF (Русский) |
| E. A. Strugova | ||
| No 56 (2023) | Review of Research on the Influence of Russian Fine Art on the Development of Traditional Art of Northeast China in the XX Century | Abstract PDF (Русский) |
| Xiangxue Meng | ||
| No 56 (2023) | Alienation and Subject: Michel Foucault and Marcel Gauchet | Abstract PDF (Русский) |
| V. E. Kukel | ||
| No 56 (2023) | The Problem of Atmosphere in G. Böhme and Its Relationship to Digital Culture | Abstract PDF (Русский) |
| Yu. V. Sysoeva | ||
| No 55 (2023) | To the Question of Construction of Methodology of Italian Studies in Russia | Abstract PDF (Русский) |
| D. Popov | ||
| No 55 (2023) | The Italian Comedia of the 16th Century: Renewal of Classical Models | Abstract PDF (Русский) |
| A. Glushkova | ||
| No 55 (2023) | M. Foucault and G. Agamben: Philosophy of Cynicism and the Role of the Artist in Culture | Abstract PDF (Русский) |
| A. Katmakov | ||
| No 55 (2023) | Ideas of the Italian Renaissance in the Philosophical Views of Maximus the Greek | Abstract PDF (Русский) |
| S. Dosaeva | ||
| No 54 (2022) | Russian Philosophy of Music and the Experience of Phenomenological Perception: Synesthesia and Psychodelia | Abstract PDF (Русский) |
| E. V. Boruta | ||
| No 54 (2022) | Lost and Found Musical Genres, Forms and Images as the Legacy of the Great Composer Eduard Nikolaevich Artemiev | Abstract PDF (Русский) |
| I. I. Plotnikov | ||
| No 54 (2022) | The Current State and Development Trends of Music Education in China | Abstract PDF (Русский) |
| H. Feng, V. Zheleznyak | ||
| No 53 (2022) | Late soviet religious consciousness in the poetry of Ilya Kormiltsev | Abstract PDF (Русский) |
| D. A. Budaev | ||
| No 53 (2022) | Bergman's Dialogues: Strindberg, Munch and the medieval frescoes | Abstract PDF (Русский) |
| E. A. Shikulya | ||
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