SCHOLA
| Issue | Title | |
| No 56 (2023) | Review of Research on the Influence of Russian Fine Art on the Development of Traditional Art of Northeast China in the XX Century | Abstract PDF (Русский) |
| Xiangxue Meng | ||
| No 56 (2023) | Alienation and Subject: Michel Foucault and Marcel Gauchet | Abstract PDF (Русский) |
| V. E. Kukel | ||
| No 56 (2023) | The Problem of Atmosphere in G. Böhme and Its Relationship to Digital Culture | Abstract PDF (Русский) |
| Yu. V. Sysoeva | ||
| No 55 (2023) | To the Question of Construction of Methodology of Italian Studies in Russia | Abstract PDF (Русский) |
| D. Popov | ||
| No 55 (2023) | The Italian Comedia of the 16th Century: Renewal of Classical Models | Abstract PDF (Русский) |
| A. Glushkova | ||
| No 55 (2023) | M. Foucault and G. Agamben: Philosophy of Cynicism and the Role of the Artist in Culture | Abstract PDF (Русский) |
| A. Katmakov | ||
| No 55 (2023) | Ideas of the Italian Renaissance in the Philosophical Views of Maximus the Greek | Abstract PDF (Русский) |
| S. Dosaeva | ||
| No 54 (2022) | Russian Philosophy of Music and the Experience of Phenomenological Perception: Synesthesia and Psychodelia | Abstract PDF (Русский) |
| E. V. Boruta | ||
| No 54 (2022) | Lost and Found Musical Genres, Forms and Images as the Legacy of the Great Composer Eduard Nikolaevich Artemiev | Abstract PDF (Русский) |
| I. I. Plotnikov | ||
| No 54 (2022) | The Current State and Development Trends of Music Education in China | Abstract PDF (Русский) |
| H. Feng, V. Zheleznyak | ||
| No 53 (2022) | Late soviet religious consciousness in the poetry of Ilya Kormiltsev | Abstract PDF (Русский) |
| D. A. Budaev | ||
| No 53 (2022) | Bergman's Dialogues: Strindberg, Munch and the medieval frescoes | Abstract PDF (Русский) |
| E. A. Shikulya | ||
| No 52 (2022) | The Role of Cultural Codes in Understanding Russian Cultural Identity in the Republic of Turkey | Abstract PDF (Русский) |
| S. S. Dosaeva | ||
| No 52 (2022) | “I took Russia with me”: “Sovremennye Zapiski” (“Modern notes”) as a platform for Russian emigration in the 1920s | Abstract PDF (Русский) |
| A. P. Zinovyeva | ||
| No 52 (2022) | Cultural Code of Russian Culture: A. S. Pushkin’s Image in the Formation of “Places of Memory” | Abstract PDF (Русский) |
| V. A. Kirshin | ||
| No 52 (2022) | The Tragedy by J.W. Goethe “Faust”: From Image to Symbol | Abstract PDF (Русский) |
| N. P. Makarova | ||
| No 52 (2022) | Italy’s Culture Code (Gastronomy Through the Eyes of the Other) | Abstract PDF (Русский) |
| A. Glushkova | ||
| No 49 (2021) | POSTMODERNISM AND THE EMBODIMENT OF ITS BASIC PRINCIPLES IN THE MODERN ANIMAL FILM "NECHZHA: BIRTH OF A DEVIL" | Abstract PDF (Русский) |
| Kuang Xiuli | ||
| No 48 (2021) | FAUST AND THE GOLEM OF PRAGUE AS TRANSNATIONAL “MEMORY PLACES” OF CENTRAL EUROPE | Abstract PDF (Русский) |
| A. I. Rezvukhina | ||
| No 48 (2021) | TIME TRAVEL: GAMIFICATED EXCURSION AS A METHOD OF CULTURAL MEMORY TRANSMISSION | Abstract PDF (Русский) |
| A. I. Rezvukhina (Jr.) | ||
| No 47 (2021) | AESTHETIZATION AND CONSCIOUSNESS: WHY DOES RUSSIAN CULTURE KEEP SILENCE? | Abstract PDF (Русский) |
| V. A. Volkov | ||
| No 47 (2021) | THE SHAPING OF ATTITUDES TOWARDS RUSSIAN HISTORY IN THE USSR IN THE 1930S AND 1940S. (ON THE MATERIAL OF HISTORICAL CINEMA) | Abstract PDF (Русский) |
| A. A. Kiselyova | ||
| No 47 (2021) | HETEROGENEITY IN POST-DRAMA THEATRE | Abstract PDF (Русский) |
| Ya. V. Ustinov | ||
| No 35 (2018) | CHINESE ACADEMICIAN GUO MORUO AND HIS ATTITUDE TOWARDS CONFUCIANISM | Abstract PDF (Русский) |
| R. A. Androsenko / Р.А. Андросенко | ||
| No 35 (2018) | EXTERNALISTIC JUSTIFICATIONS OF MATHEMATICS: FROM SPHENGLER TO EDINBURG SOCIAL SCHOOL | Abstract PDF (Русский) |
| D. A. Popov / Д.А. Попов | ||
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