SCHOLA
| Issue | Title | |
| No 54 (2022) | Lost and Found Musical Genres, Forms and Images as the Legacy of the Great Composer Eduard Nikolaevich Artemiev | Abstract PDF (Русский) |
| I. I. Plotnikov | ||
| No 54 (2022) | The Current State and Development Trends of Music Education in China | Abstract PDF (Русский) |
| H. Feng, V. Zheleznyak | ||
| No 53 (2022) | Late soviet religious consciousness in the poetry of Ilya Kormiltsev | Abstract PDF (Русский) |
| D. A. Budaev | ||
| No 53 (2022) | Bergman's Dialogues: Strindberg, Munch and the medieval frescoes | Abstract PDF (Русский) |
| E. A. Shikulya | ||
| No 52 (2022) | The Role of Cultural Codes in Understanding Russian Cultural Identity in the Republic of Turkey | Abstract PDF (Русский) |
| S. S. Dosaeva | ||
| No 52 (2022) | “I took Russia with me”: “Sovremennye Zapiski” (“Modern notes”) as a platform for Russian emigration in the 1920s | Abstract PDF (Русский) |
| A. P. Zinovyeva | ||
| No 52 (2022) | Cultural Code of Russian Culture: A. S. Pushkin’s Image in the Formation of “Places of Memory” | Abstract PDF (Русский) |
| V. A. Kirshin | ||
| No 52 (2022) | The Tragedy by J.W. Goethe “Faust”: From Image to Symbol | Abstract PDF (Русский) |
| N. P. Makarova | ||
| No 52 (2022) | Italy’s Culture Code (Gastronomy Through the Eyes of the Other) | Abstract PDF (Русский) |
| A. Glushkova | ||
| No 49 (2021) | POSTMODERNISM AND THE EMBODIMENT OF ITS BASIC PRINCIPLES IN THE MODERN ANIMAL FILM "NECHZHA: BIRTH OF A DEVIL" | Abstract PDF (Русский) |
| Kuang Xiuli | ||
| No 48 (2021) | FAUST AND THE GOLEM OF PRAGUE AS TRANSNATIONAL “MEMORY PLACES” OF CENTRAL EUROPE | Abstract PDF (Русский) |
| A. I. Rezvukhina | ||
| No 48 (2021) | TIME TRAVEL: GAMIFICATED EXCURSION AS A METHOD OF CULTURAL MEMORY TRANSMISSION | Abstract PDF (Русский) |
| A. I. Rezvukhina (Jr.) | ||
| No 47 (2021) | AESTHETIZATION AND CONSCIOUSNESS: WHY DOES RUSSIAN CULTURE KEEP SILENCE? | Abstract PDF (Русский) |
| V. A. Volkov | ||
| No 47 (2021) | THE SHAPING OF ATTITUDES TOWARDS RUSSIAN HISTORY IN THE USSR IN THE 1930S AND 1940S. (ON THE MATERIAL OF HISTORICAL CINEMA) | Abstract PDF (Русский) |
| A. A. Kiselyova | ||
| No 47 (2021) | HETEROGENEITY IN POST-DRAMA THEATRE | Abstract PDF (Русский) |
| Ya. V. Ustinov | ||
| No 35 (2018) | CHINESE ACADEMICIAN GUO MORUO AND HIS ATTITUDE TOWARDS CONFUCIANISM | Abstract PDF (Русский) |
| R. A. Androsenko / Р.А. Андросенко | ||
| No 35 (2018) | EXTERNALISTIC JUSTIFICATIONS OF MATHEMATICS: FROM SPHENGLER TO EDINBURG SOCIAL SCHOOL | Abstract PDF (Русский) |
| D. A. Popov / Д.А. Попов | ||
| No 36 (2018) | RENÉ GUÉNON AS A POSTMODERNIST | Abstract PDF (Русский) |
| D. V. KRUTOLAPOV / Д.В. КРУТОЛАПОВ | ||
| No 36 (2018) | PERCEPTION OF SPACE AND TIME IN CULTURE DURING THE MEDIEVAL ERA | Abstract PDF (Русский) |
| Y. I. MILEKHINA / Ю.И. МИЛЁХИНА | ||
| No 34 (2017) | ADAPTATION OF RUSSIAN GERMANS IN INTERPRETATION OF GERMAN AUTHORS | Abstract PDF (Русский) |
| V. P. Muradov /В. П. Мурадов | ||
| No 34 (2017) | IN DEFENSE OF ELITISM | Abstract PDF (Русский) |
| R. Scruton / Р. Скратон, перевод Д.В. Крутолапов / translation D. V. Krutolapov | ||
| No 34 (2017) | THE TRUTH OF VERITY IN ACTUAL PHILOSOPHY | Abstract PDF (Русский) |
| A. A. Noskov / А. А. Носков | ||
| No 33 (2017) | «ЭСТЕТИКА ИСЧЕЗНОВЕНИЯ» ПОЛЯ ВИРИЛЬО | Abstract PDF (Русский) |
| А. G. Vorotilin А. Г. Воротилин | ||
| No 32 (2017) | ADVERTISING IN HIGH AND LOW-CONTEXT CULTURES | Abstract PDF (Русский) |
| L. V. Novichenkova/Л. В. Новиченкова | ||
| No 28 (2016) | ФОТОГРАФИЯ ПОСЛЕ ФОТОГРАФИИ ПОСЛЕ ФОТОГРАФИИ... | Abstract PDF (Русский) |
| Я. Клеменс | ||
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