ACADEMIA
| Issue | Title | |
| No 54 (2022) | The Musicality of M. M. Bachtine’s the Aesthetics in Creating an Actual Educational Model | Abstract PDF (Русский) |
| I. V. Sazina | ||
| No 54 (2022) | Music and Language: Thinking–Perception–Practice | Abstract PDF (Русский) |
| G. K. Zhukova, M. Yu. Zhukova | ||
| No 54 (2022) | The Ambivalence of the Social Roles of the Italian musico | Abstract PDF (Русский) |
| S. G. Kolenko | ||
| No 54 (2022) | Pressing as a Favorite Format of the Musical Solution of the Productions of the Play “Romeo and Juliet” in the XXI Century | Abstract PDF (Русский) |
| N. I. Lesakova | ||
| No 54 (2022) | Magic Opera-Ballet “Mlada” by N. A. Rimsky-Korsakov. Experience of Analysis in the Context of Communicative Theory | Abstract PDF (Русский) |
| M. S. Lyutaeva | ||
| No 54 (2022) | Evolution of Metal Groups: between Creativity and Commerce | Abstract PDF (Русский) |
| D. E. Prokudin | ||
| No 54 (2022) | The Internet as a Special Sphere of Existence of a Modern Classical Music Performer | Abstract PDF (Русский) |
| K. S. Bakirova | ||
| No 53 (2022) | Latif Kerimov as carpet and tapestry artists | Abstract PDF (Русский) |
| F. A. Mir-Bagirzade | ||
| No 53 (2022) | Alexandre Kojève’s Neohegelian Philosophy and its Reception in Postmodernism | Abstract PDF (Русский) |
| E. V. Boruta, A. E. Shabalina | ||
| No 53 (2022) | Pervasiveness as an integral attribute of the socio-cultural space | Abstract PDF (Русский) |
| D. E. Prokudin | ||
| No 52 (2022) | Problematization of the Cultural Code and Identity in Italian Scientific Research | Abstract PDF (Русский) |
| E. Yu. Kravchenko | ||
| No 52 (2022) | Cultural Code as a Discursive Phenomenon | Abstract PDF (Русский) |
| L. P. Morina | ||
| No 52 (2022) | The Code Like Dementia of Memory and Effort To Be | Abstract PDF (Русский) |
| B. G. Sokolov | ||
| No 52 (2022) | Russia: the Components of the Cultural Code | Abstract PDF (Русский) |
| F. V. Foortai | ||
| No 52 (2022) | Reflection about Formation of the Cultural Code of the Russian Culture | Abstract PDF (Русский) |
| I. B. Hmyrova-Pruyel | ||
| No 52 (2022) | “Two-faced Janus” of Socio-Cultural Codification | Abstract PDF (Русский) |
| A. V. Babaeva | ||
| No 52 (2022) | Zinoviev’s Anthropology: Homo Soveticus | Abstract PDF (Русский) |
| V. M. Kamnev, A. A. Pirogov | ||
| No 50 (2021) | RECTUALIZATION OF THE SYMBOL: SEARCH FOR METHODOLOGY | Abstract PDF (Русский) |
| L. P. Morina | ||
| No 50 (2021) | INVENTION OF TENDERNESS | Abstract PDF (Русский) |
| S. A. Rassadina | ||
| No 50 (2021) | THE CAR AND THE STRUCTURE OF CONSCIOUSNESS | Abstract PDF (Русский) |
| E. E. Surova | ||
| No 50 (2021) | ART AFTER ART OR SEARCH FOR A CONCEPT IN ART | Abstract PDF (Русский) |
| L. I. Kabanova | ||
| No 50 (2021) | LAOZI AND PROJECTIVE MEMORY IN LATE TOLSTOY'S SELF-REPRESENTATION | Abstract PDF (Русский) |
| K. V. Azarov | ||
| No 50 (2021) | SUBSTITUTION REACTION OR FAREWELL TO THE CULTURE OF WORDS | Abstract PDF (Русский) |
| A. V. Babaeva | ||
| No 49 (2021) | ROLE OF TEMPLE-PARK COMPLEX BADACHU IN HISTORY OF BUDDHISM IN CHINA | Abstract PDF (Русский) |
| D. V. Tsvetkov | ||
| No 49 (2021) | FASHION BETWEEN CULTURE AND ART - CROSSING BORDERS | Abstract PDF (Русский) |
| Yvonne Förster, A. N. Lipov(translator from German) | ||
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