ACADEMIA
| Issue | Title | |
| No 56 (2023) | Comic in Alexey German’ Film ‘Khrustalev, the Car!’ | Abstract PDF (Русский) |
| T. A. Serebrennikova | ||
| No 56 (2023) | Problem of transformation of the meanings in the large language models | Abstract PDF (Русский) |
| M. A. Popov | ||
| No 56 (2023) | Electricity from Beijing to Petersburg | Abstract PDF (Русский) |
| S. S. Južnič | ||
| No 56 (2023) | The historicism as a metanarrative: the methodological ground on the humanities | Abstract PDF (Русский) |
| A. V. Dyakov | ||
| No 56 (2023) | Components of human cultural intelligence | Abstract PDF (Русский) |
| D. G. Rybakov, E. V. Rybakova | ||
| No 55 (2023) | The Aesthetic Views of Giambattista Vico | Abstract PDF (Русский) |
| V. N. Maksimovski | ||
| No 55 (2023) | Italian Cultural Studies: Current State and the Problems of Institutionalisation | Abstract PDF (Русский) |
| E. Yu. Kravchenko | ||
| No 55 (2023) | On Latin Pronunciation. Some Practical Notes for the Students of the Italian Culture | Abstract PDF (Русский) |
| D. A. Bratkin | ||
| No 55 (2023) | ‘The Paradox of the Russian Spirit’ by Piero Gobetti | Abstract |
| B. Gariglio, A. A. Muromtseva, Zh. V. Nikolaeva | ||
| No 54 (2022) | The Musicality of M. M. Bachtine’s the Aesthetics in Creating an Actual Educational Model | Abstract PDF (Русский) |
| I. V. Sazina | ||
| No 54 (2022) | Music and Language: Thinking–Perception–Practice | Abstract PDF (Русский) |
| G. K. Zhukova, M. Yu. Zhukova | ||
| No 54 (2022) | The Ambivalence of the Social Roles of the Italian musico | Abstract PDF (Русский) |
| S. G. Kolenko | ||
| No 54 (2022) | Pressing as a Favorite Format of the Musical Solution of the Productions of the Play “Romeo and Juliet” in the XXI Century | Abstract PDF (Русский) |
| N. I. Lesakova | ||
| No 54 (2022) | Magic Opera-Ballet “Mlada” by N. A. Rimsky-Korsakov. Experience of Analysis in the Context of Communicative Theory | Abstract PDF (Русский) |
| M. S. Lyutaeva | ||
| No 54 (2022) | Evolution of Metal Groups: between Creativity and Commerce | Abstract PDF (Русский) |
| D. E. Prokudin | ||
| No 54 (2022) | The Internet as a Special Sphere of Existence of a Modern Classical Music Performer | Abstract PDF (Русский) |
| K. S. Bakirova | ||
| No 53 (2022) | Latif Kerimov as carpet and tapestry artists | Abstract PDF (Русский) |
| F. A. Mir-Bagirzade | ||
| No 53 (2022) | Alexandre Kojève’s Neohegelian Philosophy and its Reception in Postmodernism | Abstract PDF (Русский) |
| E. V. Boruta, A. E. Shabalina | ||
| No 53 (2022) | Pervasiveness as an integral attribute of the socio-cultural space | Abstract PDF (Русский) |
| D. E. Prokudin | ||
| No 52 (2022) | Problematization of the Cultural Code and Identity in Italian Scientific Research | Abstract PDF (Русский) |
| E. Yu. Kravchenko | ||
| No 52 (2022) | Cultural Code as a Discursive Phenomenon | Abstract PDF (Русский) |
| L. P. Morina | ||
| No 52 (2022) | The Code Like Dementia of Memory and Effort To Be | Abstract PDF (Русский) |
| B. G. Sokolov | ||
| No 52 (2022) | Russia: the Components of the Cultural Code | Abstract PDF (Русский) |
| F. V. Foortai | ||
| No 52 (2022) | Reflection about Formation of the Cultural Code of the Russian Culture | Abstract PDF (Русский) |
| I. B. Hmyrova-Pruyel | ||
| No 52 (2022) | “Two-faced Janus” of Socio-Cultural Codification | Abstract PDF (Русский) |
| A. V. Babaeva | ||
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