ACADEMIA
| Issue | Title | |
| No 59 (2024) | Trust to cultural code: situation of metamodern | Abstract PDF (Русский) |
| N. O. Nogovitsyn | ||
| No 59 (2024) | Creation of 3D models of cultural artifacts: prospects and problems | Abstract PDF (Русский) |
| M. S. Lyutaeva | ||
| No 59 (2024) | Communication as a constituent form of organization of activity in pedagogical systems of nobler educational institutions in Russia | Abstract PDF (Русский) |
| I. I. Solodovnikova | ||
| No 59 (2024) | Buddhist culture in the digital space: tantric initiations on-line | Abstract PDF (Русский) |
| Yu. Yu. Erendzhenova | ||
| No 59 (2024) | Cultural code in digital reality | Abstract PDF (Русский) |
| A. V. Babaeva | ||
| No 58 (2023) | Personal Representation and the Transformation of Cultural Space in the Postmodern Age | Abstract PDF (Русский) |
| N. V. Razuvaev | ||
| No 58 (2023) | ‘Changing Your Life’: Aesthetic Experience As Experience of Transfiguration | Abstract PDF (Русский) |
| S. B. Nikonova | ||
| No 58 (2023) | Botticelli’s ‘Beauty Space’, Pop Art and the Gnostics (On the Issue of the Origins of Classical Art) | Abstract PDF (Русский) |
| A. V. Rykov | ||
| No 58 (2023) | Energy of Aesthetic Experience | Abstract PDF (Русский) |
| E. N. Ustiugova | ||
| No 58 (2023) | On a Hard Problem in Aesthetics | Abstract PDF (Русский) |
| A. E. Radeev | ||
| No 58 (2023) | Aesthetics and Culture: Cultural Interpretation of Aesthetic Transformations in the Twentieth Century | Abstract PDF (Русский) |
| N. A. Khrenov | ||
| No 56 (2023) | Comic in Alexey German’ Film ‘Khrustalev, the Car!’ | Abstract PDF (Русский) |
| T. A. Serebrennikova | ||
| No 56 (2023) | Problem of transformation of the meanings in the large language models | Abstract PDF (Русский) |
| M. A. Popov | ||
| No 56 (2023) | Electricity from Beijing to Petersburg | Abstract PDF (Русский) |
| S. S. Južnič | ||
| No 56 (2023) | The historicism as a metanarrative: the methodological ground on the humanities | Abstract PDF (Русский) |
| A. V. Dyakov | ||
| No 56 (2023) | Components of human cultural intelligence | Abstract PDF (Русский) |
| D. G. Rybakov, E. V. Rybakova | ||
| No 55 (2023) | The Aesthetic Views of Giambattista Vico | Abstract PDF (Русский) |
| V. N. Maksimovski | ||
| No 55 (2023) | Italian Cultural Studies: Current State and the Problems of Institutionalisation | Abstract PDF (Русский) |
| E. Yu. Kravchenko | ||
| No 55 (2023) | On Latin Pronunciation. Some Practical Notes for the Students of the Italian Culture | Abstract PDF (Русский) |
| D. A. Bratkin | ||
| No 55 (2023) | ‘The Paradox of the Russian Spirit’ by Piero Gobetti | Abstract PDF (Русский) |
| B. Gariglio, A. A. Muromtseva, Zh. V. Nikolaeva | ||
| No 54 (2022) | The Musicality of M. M. Bachtine’s the Aesthetics in Creating an Actual Educational Model | Abstract PDF (Русский) |
| I. V. Sazina | ||
| No 54 (2022) | Music and Language: Thinking–Perception–Practice | Abstract PDF (Русский) |
| G. K. Zhukova, M. Yu. Zhukova | ||
| No 54 (2022) | The Ambivalence of the Social Roles of the Italian musico | Abstract PDF (Русский) |
| S. G. Kolenko | ||
| No 54 (2022) | Pressing as a Favorite Format of the Musical Solution of the Productions of the Play “Romeo and Juliet” in the XXI Century | Abstract PDF (Русский) |
| N. I. Lesakova | ||
| No 54 (2022) | Magic Opera-Ballet “Mlada” by N. A. Rimsky-Korsakov. Experience of Analysis in the Context of Communicative Theory | Abstract PDF (Русский) |
| M. S. Lyutaeva | ||
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