SYMPOSIUM
| Issue | Title | |
| No 33 (2017) | AESTHETIC DISTANCE AND CONTEMPORARY THEATRE PROCESS: INSTITUTIONAL ANALYSIS | Abstract PDF (Русский) |
| S. A. Dzikevich / С. А. Дзикевич, E. A. Dzikevich / Е. А. Дзикевич | ||
| No 33 (2017) | AESTHETICS OF PROJECTIVISM IN NONCLASSICAL PHILOSOPHY OF ART: ACTUAL ART PRACTICES | Abstract PDF (Русский) |
| I. M. Lisovetc / И. М. Лисовец, B. V. Orlov / Б. В. Орлов | ||
| No 33 (2017) | THE COMPARATIVE ANALYSIS OF ARTS IN NONCLASSICAL AESTHETICS | Abstract PDF (Русский) |
| V. V. Prozerskii / В. В. Прозерский | ||
| No 33 (2017) | M.S.KAGAN’S «MORPHOLOGY OF ART» AS AN OPEN SYSTEM | Abstract PDF (Русский) |
| E. N. Ustiugova / Е. Н. Устюгова | ||
| No 33 (2017) | ACTUAL ART AS A REFLECTION OF «NEW CORPORALITY» | Abstract PDF (Русский) |
| M. V. Philippova / М. В. Филиппова, S. V. Yurlova / С. В. Юрлова | ||
| No 33 (2017) | THE ARTS AFTER «MORPHOLOGY OF THE ARTS»: ART OBJECTS AND CULTURE-CENTRISM | Abstract PDF (Русский) |
| L. A. Zaks / Л. А. Закс | ||
| No 33 (2017) | TECHNOROMANTISM AND CYBERGOTICS IN THE CYBERPUNK LITERATURE | Abstract PDF (Русский) |
| E. S. Shchekotova / Е. С. Щекотова | ||
| No 32 (2017) | THE SYNTAX FOR LOSS | Abstract PDF (Русский) |
| S. A. Troitskiy/С. А. Троицкий | ||
| No 32 (2017) | GEORGE OF TREBIZOND’S APOCALYPTISM AS A STRATEGY FOR MARGINALIZATION OF THE PLATONIC HERITAGE | Abstract PDF (Русский) |
| M. V. Semikolennykh/М. В. Семиколенных | ||
| No 32 (2017) | INTEGRATIVE POTENTIAL OF PUBLIC MORALS IN THE CIRCUMSTANCES OF VARIATING MORAL STEREOTYPES OF CULTURAL FRONTIER | Abstract PDF (Русский) |
| E. A. Ovchinnikova/ Е. А. Овчинникова, T. Y. Bartashevich/Т. Ю. Барташевич | ||
| No 32 (2017) | THE HUMAN BODY – THE ZONE OF ALIENATION: TO THE POSSIBILITY OF SOMATIC EPISTEMOLOGY | Abstract PDF (Русский) |
| K. A. Ocheretyany/K. А. Очеретяный | ||
| No 32 (2017) | DISCOURSE OF IDENTITY AND THE PHENOMENON OF CULTURAL BORDERLANDS: A SYMBOLIC DIMENSION OF THE NEWEST MYTH | Abstract PDF (Русский) |
| P. V. Kretov/П. В. Кретов, O. I. Kretova/ Е. И. Кретова | ||
| No 32 (2017) | LIMITS AND METHODS | Abstract PDF (Русский) |
| A. V. Malinov/А. В. Малинов, I. Yu. Peshperova/ И. Ю. Пешперова | ||
| No 32 (2017) | TRETYAKOV AND HIS «NON-CANONICAL» BRECHT AS A REPRESSIONED PAGE OF THE LITERARY HISTORY | Abstract PDF (Русский) |
| E. V. Voloshchuk/Е. В. Волощук | ||
| No 32 (2017) | IDEALS OF INTERNATIONAL FINNO-UGRIAN ETHNOPOLITICAL MOVEMENT AND THE CONTEMPORARY «MERYA RENAISSANCE» IN THE UPPER REACHES OF THE VOLGA | Abstract PDF (Русский) |
| D. A. Kaunov/Д. А. Каунов | ||
| No 32 (2017) | TRANSFORMATION OF THE PHENOMENON OF BEING A FOOL FOR GOD’S SAKE IN RUSSIAN CULTURE: DISPLACEMENT FROM PUBLIC PRACTICE AND REACTUALIZATION IN LITERATURE | Abstract PDF (Русский) |
| I. P. Busurkina/ И. П. Бусуркина | ||
| No 31 (2017) | «DOOMED TO BE A PIECE OF MEAT». MEDICAL EXPERIMENTS ON HUMANS AS APOPHASIS AND METAPHOR («THE KARNAU TAPES» BY MARCEL BEYER AND «ALINDARKA’S CHILDREN» BY ALHERD BAKHAREWICH) | Abstract PDF (Русский) |
| A. P. Chertenko/А. П. Чертенко | ||
| No 31 (2017) | THE SCIENTIFIC AND ARTISTIC DISCOURSES OF 1920S: THE REFLECTION OF BAKHTIN’S LAUGH CONCEPTION IN WORKS OF VAGINOV. | Abstract PDF (Русский) |
| O. V. Shindina/О. В. Шиндина | ||
| No 31 (2017) | FASHION FOR THEATRE THE FIRST CULTURAL START-UP COMBINING THE ITALIAN FASHION AT THE THEATRE | Abstract PDF (Русский) |
| L. Tavi/Л. Тави | ||
| No 31 (2017) | «MADE IN ITALY» IN ITALIAN UNIVERSITIES | Abstract PDF (Русский) |
| F. Papa/Ф. Папа | ||
| No 31 (2017) | TO HIDE THE CITY. MODERN BELARUSIAN POETRY IN THE BOUNDARIES OF URBAN GEOGRAPHY | Abstract PDF (Русский) |
| N. М. Pozniak/Н. М. Позняк | ||
| No 31 (2017) | GIANNI RODARI AND CHILDREN’S CREATIVITY IN THE SOVIET UNION | Abstract PDF (Русский) |
| L. Naldoniova/Л. Налдонёва | ||
| No 31 (2017) | INFLUENCE OF ITALIAN DESIGN ON SOVIET CONSUMER CULTURE OF THE 1960 – 1970S | Abstract PDF (Русский) |
| А. V. Smirnov/А. В. Смирнов | ||
| No 31 (2017) | ITALY IN TREND: SURMOUNTING OF THE CULTURAL EXCLUSION | Abstract PDF (Русский) |
| ZH. V. Nikolaeva/Ж. В. Николаева, K. A. Ocheretianij/ К. А. Очеретяный | ||
| No 31 (2017) | THE ART OF GIULIO CLOVIO AS «MADE IN ITALY» OF RENAISSANCE AGE | Abstract PDF (Русский) |
| А. А. Troitskaya/А. А. Троицкая | ||
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