No 45 (2020)

Table of Contents

Communication and identity in the era of post-reality

IDENTITY IN THE GLOBAL WORLD. ARE NEW HUMAN ASSEMBLY MODELS POSSIBLE?
A. V. Babaeva
PDF (Русский)
9-17
TO THE QUESTION ABOUT THE ROLE OF SYMBOLIC IN HUMAN IDENTIFICATION INFORMATION / DIGITAL SOCIETY
M. G. Bresler, A. A. Rabogoshvili, A. R. Suleimanov
PDF (Русский)
18-34
TRANSFORMATION OF MODERN IDENTITY IN SOCIO-CULTURAL ASPECTS: EUROPE AND RUSSIA
N. V. Vlasova, D. A. Petrenko
PDF (Русский)
35-50
BIOGRAPHY OF THE DISSAPPEARING HUMAN BEING (BASED ON M. HOUELLEBECQ’S WRITINGS)
T. N. Ketova
PDF (Русский)
51-58
PERSONAL IDENTITY IN DIGITAL AGE: THE LOSS OF PRIVACY, THE LIMITS OF RESPONSIBILITY
E. O. Trufanova
PDF (Русский)
59-68
THE EFFECT OF A CROSS-CULTURAL AND GLOBAL MINDSET COURSE ON CULTURAL INTELLIGENCE: A CASE STUDY IN THE TAIWANESE CONTEXT
Felicia Zhang
PDF
69-104

Problems of Cultural Development in Philosophical Interpretation. New forms of representation of identity

ETHNO-RELIGIOUS DIMENSION OF MODERN RUSSIAN IDENTITY: ORTHODOXY VS NEO-PAGANISM
A. A. Beskov
PDF (Русский)
106-122
CLUSTER MODEL OF THE FORMATION OF MEANING IN J. DELEUZE’S LOGIC OF SENSE
N. O. Nogovitsyn
PDF (Русский)
123-132
NEW “JEWISH MEMORY” IN CONTEMPORARY RUSSIA: IMAGINED REALITY?
E. E. Nosenko-Stein
PDF (Русский)
133-144
INFLUENCE OF CONFUCIANISM ON THE DEVELOPMENT OF CHINESE OPERA
Geng Biao, A. M. Alekseev-Apraksin
PDF (Русский)
145-156
THE RELATION BETWEEN EPISTEMOLOGY AND VALUE THEORY
Abdulkadir Çüçen
PDF
157-163

Aesthetics of new media. Culture in the Modern World

INSTITUTIONS FOR THE PRESERVATION OF CULTURAL MEMORY IN MODERN CHINA (ON THE EXAMPLE OF THE DONGLIN BUDDHIST TEMPLE COMPLEX)
Li Linsong
PDF (Русский)
165-175
THE THEATRICAL INTERPRETATION OF THE FARCE ALEXANDER VAMPILOV «THE ELDER SON»
T. V. Mezhova
PDF (Русский)
176-191
THE CONCEPT OF CULTURAL IDENTITY IN POSTCOLONIAL LITERATURE
E. Yu. Chemyakin
PDF (Русский)
192-207
EXPERT ACTIVITY IN THE AGE OF DIGITALIZATION: ON THE WAY TO NON-HIERARCHICAL COMMUNICATION?
L. V. Shipovalova
PDF (Русский)
208-216

SCHOLAE

"THE CITY IS A FRIGHTFUL FORCE". REPRESENTATION OF URBAN SPACE IN THE FILM "BRAT" DIRECTED BY A.O. BALABANOV
E. D. Zakuraeva
PDF (Русский)
218-227
DISTINCTION OF INTUITIVE AND IMAGINATIVE ACTIVITIES OF CONSCIOUSNESS IN THE PROCESS OF ART
K. V. Krincyus
PDF (Русский)
228-237
«SOCIETY OF THE EXTERMINATION OF WEALTH» IN THE WORKS OF GEORGES BATAILLE
D. A. Shmelev
PDF (Русский)
238-248
PHILOSOPHICAL REFLECTION IN DRAMA (ON THE EXAMPLE OF THE PLAY BY GALINA ZHURAVLEVA "UNEVEN TIPS”)
E. A. Shutova
PDF (Русский)
249-258