No 54 (2022)

DOI: http://dx.doi.org/10.31312/10.31312/2310-1245-2022-54

Table of Contents

ACADEMIA

The Internet as a Special Sphere of Existence of a Modern Classical Music Performer
K. S. Bakirova
PDF (Русский)
11-24
Music and Language: Thinking–Perception–Practice
G. K. Zhukova, M. Yu. Zhukova
PDF (Русский)
25-35
The Ambivalence of the Social Roles of the Italian musico
S. G. Kolenko
PDF (Русский)
35-56
Pressing as a Favorite Format of the Musical Solution of the Productions of the Play “Romeo and Juliet” in the XXI Century
N. I. Lesakova
PDF (Русский)
57-65
Magic Opera-Ballet “Mlada” by N. A. Rimsky-Korsakov. Experience of Analysis in the Context of Communicative Theory
M. S. Lyutaeva
PDF (Русский)
66-79
Evolution of Metal Groups: between Creativity and Commerce
D. E. Prokudin
PDF (Русский)
80-95
The Musicality of M. M. Bachtine’s the Aesthetics in Creating an Actual Educational Model
I. V. Sazina
PDF (Русский)
96-113

SCHOLA

Russian Philosophy of Music and the Experience of Phenomenological Perception: Synesthesia and Psychodelia
E. V. Boruta
PDF (Русский)
115-127
Lost and Found Musical Genres, Forms and Images as the Legacy of the Great Composer Eduard Nikolaevich Artemiev
I. I. Plotnikov
PDF (Русский)
128-137
The Current State and Development Trends of Music Education in China
H. Feng, V. Zheleznyak
PDF (Русский)
138-156

THESES

Утопические дискурсы на российской оперной сцене
T. V. Artemieva
PDF (Русский)
158
Анатолийский рок: диалог культур
E. V. Kosilova
PDF (Русский)
159-160
Звук как категория имагинативной эстетики
K. V. Krincius
PDF (Русский)
161
Современные независимые (DIY) лейблы экспериментальной музыки в культурном пространстве Москвы и Санкт-Петербурга
G. Orlov-Davyddovsky
PDF (Русский)
162-163
Сравнение музыкальных характеристик русских народных песен и китайских народных песен. Особенности развития музыкальной культуры России
Zh. Yanzhan, G. Jingyu, Zh. Shanju
PDF (Русский)
164-165