No 60 (2024)

Table of Contents

Вступительное слово
 
PDF (Русский)
8-9

ACADEMIA

The sounding world
V. S. Zvarieyhuk
PDF (Русский)
11-40
The miraculous in music (based on the example of operas by N.A. Rimsky-Korsakov)
M. S. Lyutaeva, V. V. Shodieva
PDF (Русский)
41-54
Neuromusic and aesthetics of attention
N. A. Romanov
PDF (Русский)
55-68
The modern concept of sound in the light of immanent metaphysics in dialogue with musicological traditions
E. V. Pridanova
PDF (Русский)
69-83
Evolution of musical culture and its role in the world of electricity
S. A. Pervov
PDF (Русский)
84-98
Heavy Metal Music research area
D. E. Prokudin
PDF (Русский)
99-114
Simply about music. Emotions in music (invitation to conversation)
I. B. Hmyrova-Pruel
PDF (Русский)
115-127

SCHOLA

Barcarolle — a cultural topos of Venice of the 19th century
A. Glushkova
PDF (Русский)
129-143
Evolution of understanding of musical time and essence of the concept “musical temporalnost”
S. V. Nikishina
PDF (Русский)
144–156
Communicaton space of amateur chorus and authoritarianism of musical craft
V. V. Prudyak
PDF (Русский)
157–173
Musical elements in the mysteries of the Altai shaman and Kam: semiotic and phenomenological analysis in the context of European musical culture
D. A. Yarochkin
PDF (Русский)
174-186
The life and work of K.V. Nabokov: the problem of classification and interpretation of sources
D. D. Afanasyev
PDF (Русский)
187–198
Cinema as synthesis of arts: person, space and time
Ya. R. Ivlev
PDF (Русский)
199-228

THESES

Weltanschauung vs. Weltanhörung: Is a musical worldview possible?
A. A. Lvov
PDF (Русский)
229-231
Musical education as a necessity in personal development
E. G. Votinova
PDF (Русский)
232-233
Visual and auditory in the space of contemporary Musical theatre. Medial aspect
E. S. Nekrasova
PDF (Русский)
234-235
Soviet musical culture: practices and marginalia
A. V. Smirnov
PDF (Русский)
236-238
Ontology of a musical work: opus, performance and sound recordinga
A. D. Samosudova
PDF (Русский)
239-241