No 68 (2026)

Culture sonorous. Musical Culture

DOI: http://dx.doi.org/10.31312/2310-1245-2026-68

Table of Contents

Introduction
 
8-12

ACADEMIA

Art of the sound of music of spheres as the way of transformation of spiritual space when forming new information society
A. V. Tolmachev
PDF (Русский)
14-28
Chyurlyonis’s alchemy: the sounding transformation painting
L. A. Surina
PDF (Русский)
29-53
Don Idy’s phenomenology of sound: polyphonia of sensation, auditory imagination, and inner speech
L. S. Ershova
PDF (Русский)
54–66
Melomania in modern culture: the production and stimulation of music addiction
N. A. Romanov
PDF (Русский)
67–80
Image-patterns of space and movement in music
A. D. Baykov
PDF (Русский)
81–103
The evolution of the spiritual culture of ancient China: from the sacred to the secular in poetry (11th century BC — 3rd century AD)
D. Yu. Sergeenkova
PDF (Русский)
104–121
Lost wholeness: sound, word and image in the syncretic thought of Hildegarde von Bingen
E. A. Baum
PDF (Русский)
122–138
Leningrad: the pulse of an unapproachable soul
O. V. Kireeva
PDF (Русский)
139–149
On the music of the Turkic-speaking peoples of the Caucasus
S. A. Kasimi
PDF (Русский)
150–170

SCHOLAE

Transcultural strategies in contemporary song discourse: linguo-cultural hybridity in the Belgian music scene
O. N. Gusev
PDF (Русский)
172–177
Interpretation of the national melodic style in the academic repertoire of Chinese violists
H. Tian
PDF (Русский)
178–195
Poetry of Andrey Knyazev in the context of Korney Chukovsky’s commandments: on the question of children’s perception of rock poetry
S. D. Orlova, Yu. A. Veselova
PDF (Русский)
196–211
Audio in the museum: new forms of perception of exhibition space
P. A. Mishina
PDF (Русский)
212–222