Mezhova, T. V.
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No 45 (2020) - Aesthetics of new media. Culture in the Modern World
THE THEATRICAL INTERPRETATION OF THE FARCE ALEXANDER VAMPILOV «THE ELDER SON»
Abstract PDF (Русский)
ISSN: 2310-1245
Editor–in–chief Boris Sokolov (Russia) SPBU
Deputy Chief Editor Larisa Morina (Russia) SPBU
Executive Secretary Julia Maltceva (Russia) SPBU
| EDITORIAL BOARD |
| Rayganat Abakarova (Russia) |
| Anatoly Alekseev–Apraksin (Russia) |
| Bartolo Gаriglio (Italy) |
| Ralf Becker (Germany) |
| Serik Dzhunusbayev (Kazakhstan) |
| Andrey Sergeyev (Russia) |
| Pavel Martysyuk (Belarus) |
| Leon Miodonski (Poland) |
| Arto Haapala (Finland) |
| Dmitry Korotaev (Russia) |
| Daur Abgadzhava(Russia) |
| ADVISORY BOARD |
| Dmitry Prokudin (Russia) (Chairman) |
| Tiziana Andina (Italy) |
| Volodimir Bugrov (Ukraine) |
| Zhanna Nikolaeva (Russia) |
| Alexander Zamaleev (Russia) |
| Jan Krasitski (Poland) |
| Igor Larionov (Russia) |
| Nikita Nogovitsyn (Russia) |
| Lada Shipovalova (Russia) |
| Artyom Radeev (Russia) |
| Alexander Solovyov (Russia) |
| Erdenetsogt Sonintogos (Mongolia) |
| Ekaterina Surova (Russia) |
| Elena Ustyugova (Russia) |
| Ludmla Klyukina (Russia) |
| Irina Khmyrova-Pruel (Russia) |
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Keywords
Buddhism
China
Italy
aesthetics
art
biography
body
communication
consciousness
cultural code
cultural memory
culture
globalization
identity
image
memory
music
philosophy
postmodernism
symbol
thing
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