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| Issue |
Title |
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| No 33 (2017) |
ACTUAL ART AS A REFLECTION OF «NEW CORPORALITY» |
Abstract
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M. V. Philippova / М. В. Филиппова, S. V. Yurlova / С. В. Юрлова |
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| No 54 (2022) |
The Internet as a Special Sphere of Existence of a Modern Classical Music Performer |
Abstract
|
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K. S. Bakirova |
| |
| No 29 (2016) |
ISLAMIC ART: THE CULTURAL ASPECT OF THE RESEARCH |
Abstract
|
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Л. А. Орнатская, И. А. Тульпе |
| |
| No 39 (2019) |
THE LIMITING STATES OF THE LANGUAGE OF CONTEMPORARY ART IN THE STRUCTURES OF RAP POETRY (ON THE EXAMPLE OF THE ALBUM «GORGOROD» (OXXXYMIRON)) |
Abstract
|
|
С. В. Кардинская / S.V. Kardinskaya |
| |
| No 58 (2023) |
Aesthetics and Culture: Cultural Interpretation of Aesthetic Transformations in the Twentieth Century |
Abstract
|
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N. A. Khrenov |
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| No 53 (2022) |
Late soviet religious consciousness in the poetry of Ilya Kormiltsev |
Abstract
|
|
D. A. Budaev |
| |
| No 58 (2023) |
On a Hard Problem in Aesthetics |
Abstract
|
|
A. E. Radeev |
| |
| No 52 (2022) |
Reflection about Formation of the Cultural Code of the Russian Culture |
Abstract
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|
I. B. Hmyrova-Pruyel |
| |
| No 58 (2023) |
The Path of Aesthetics in Art (To the Anniversary of E. N. Ustyugova) |
Abstract
|
|
S. V. Konanchuk |
| |
| No 50 (2021) |
ART AFTER ART OR SEARCH FOR A CONCEPT IN ART |
Abstract
|
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L. I. Kabanova |
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| No 57 (2023) |
Folk Crafts. This Is Art? |
Abstract
|
|
I. I. Tumanov |
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| No 49 (2021) |
KANT LOVED MUSIC? AESTHETIC JUDGMENTS OF THE EDGING AND PROBLEM OF MODERN MUSIC |
Abstract
|
|
I. B. Hmyrova-Pruel |
| |
| No 46 (2020) |
CITY LANDSCAPES, MEMORY AND ART: BETWEEN CURATORIAL EXPERIENCE AND BIOGRAPHIES OF WITNESSES |
Abstract
|
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S. A. Podusenko |
| |
| No 26 (2015) |
SELF-IDENTIFICATION OF AESTHETICS IN CULTURAL HISTORY |
Abstract
|
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В. В. Прозерский |
| |
| No 25 (2015) |
MUSIC AND WORD IN THE CONTEXT OF INTEGRATION AND COMMUNICATIVE ROLE OF ITALIAN OPERA |
Abstract
|
|
С. Г. Коленько |
| |
| No 30 (2016) |
ANALYTIX OF IMAGE IN TRILOGY OF K. KIESLOVSKI «THREE COLOURS» |
Abstract
|
|
М. Н. Могилевич, Т. А. Балакирева |
| |
| No 45 (2020) |
DISTINCTION OF INTUITIVE AND IMAGINATIVE ACTIVITIES OF CONSCIOUSNESS IN THE PROCESS OF ART |
Abstract
|
|
K. V. Krincyus |
| |
| No 18 (2013) |
The current state of playing the tsuur in Western Mongolia |
Abstract
|
|
Т. Содгэрэл |
| |
| No 29 (2016) |
APPEARANCE OF THE FIRST COLLECTIONS OF CHINESE ART OBJECTS IN ST. PETERSBURG |
Abstract
|
|
Ю. Г. Благодер |
| |
| No 40 (2019) |
THE PRINCIPLE OF “THE ENCOUNTER OF IMAGES” AND BLACK HUMOR IN SURREALIST PHOTOGRAPHY |
Abstract
PDF
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И. А. ШИК / I. A. SHIK |
| |
| No 18 (2013) |
The development of the national art of Mongolia in the first quarter of the 20th century |
Abstract
|
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Ц. Эрдэнэцог |
| |
| No 33 (2017) |
THE ARTS AFTER «MORPHOLOGY OF THE ARTS»: ART OBJECTS AND CULTURE-CENTRISM |
Abstract
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L. A. Zaks / Л. А. Закс |
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| No 18 (2013) |
The metal Tuvinian chess in the National Museum of the Tuva Republic |
Abstract
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У. Т. Ховалыг |
| |
| No 33 (2017) |
M.S.KAGAN’S «MORPHOLOGY OF ART» AS AN OPEN SYSTEM |
Abstract
|
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E. N. Ustiugova / Е. Н. Устюгова |
| |
| No 17 (2013) |
THE AESTHETICS OF WAR |
Abstract
|
|
И. Ю. Хитарова |
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