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| Issue |
Title |
| |
| No 18 (2013) |
The current state of playing the tsuur in Western Mongolia |
Abstract
|
|
Т. Содгэрэл |
| |
| No 29 (2016) |
APPEARANCE OF THE FIRST COLLECTIONS OF CHINESE ART OBJECTS IN ST. PETERSBURG |
Abstract
|
|
Ю. Г. Благодер |
| |
| No 40 (2019) |
THE PRINCIPLE OF “THE ENCOUNTER OF IMAGES” AND BLACK HUMOR IN SURREALIST PHOTOGRAPHY |
Abstract
PDF
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|
И. А. ШИК / I. A. SHIK |
| |
| No 18 (2013) |
The development of the national art of Mongolia in the first quarter of the 20th century |
Abstract
|
|
Ц. Эрдэнэцог |
| |
| No 33 (2017) |
THE ARTS AFTER «MORPHOLOGY OF THE ARTS»: ART OBJECTS AND CULTURE-CENTRISM |
Abstract
|
|
L. A. Zaks / Л. А. Закс |
| |
| No 18 (2013) |
The metal Tuvinian chess in the National Museum of the Tuva Republic |
Abstract
|
|
У. Т. Ховалыг |
| |
| No 33 (2017) |
M.S.KAGAN’S «MORPHOLOGY OF ART» AS AN OPEN SYSTEM |
Abstract
|
|
E. N. Ustiugova / Е. Н. Устюгова |
| |
| No 17 (2013) |
THE AESTHETICS OF WAR |
Abstract
|
|
И. Ю. Хитарова |
| |
| No 33 (2017) |
THE COMPARATIVE ANALYSIS OF ARTS IN NONCLASSICAL AESTHETICS |
Abstract
|
|
V. V. Prozerskii / В. В. Прозерский |
| |
| No 26 (2015) |
ABOUT "HISTORICAL" AND "ONTOLOGICAL" SENSES OF THE CORRELATION OF AUTHENTICITY AND IMITATION |
Abstract
|
|
Е. Н. Устюгова |
| |
| No 38 (2018) |
PHENOMENOLOGO-SYMBOLIC DESCRIPTION OF HOME OF GASTON BACHELARD |
Abstract
|
|
Б. Г. Соколов / B. G. Sokolov |
| |
| No 38 (2018) |
PARADIGMATICS OF OBJECTIFICATION OF THE ART TEXT IN CULTURE. «LITERATUROCENTRIZM». CENSORSHIP |
Abstract
|
|
А. Н. Колосков / A. N. Koloskov |
| |
| No 24 (2015) |
THE MUSEUM IN CULTURE OF THE XXI CENTURY: PROSPECTS OF DEVELOPMENT |
Abstract
|
|
Е. Б. Липский |
| |
| No 26 (2015) |
IDEAS AND IDEOLOGIES (THE EXPERIENCE ITSELF AS A GATEWAY TO THE LOGIC) |
Abstract
|
|
А. Г. Погоняйло |
| |
| No 33 (2017) |
GENERATION OF IMAGE IN MEDIA TEXTS: SEMIOTIC ANALYSIS |
Abstract
|
|
N. O. Nogovitsyn / Н. О. Ноговицын |
| |
| No 17 (2013) |
COMMUNICATION IN THE CONTEXT OF PROBLEMS OF CONTEMPORARY ART |
Abstract
|
|
Т. Ю. Артеменко |
| |
| No 20 (2014) |
ANISH KAPOOR. BACK IN THE PRE-MYTH AND FORTH FOR POST-CONTEMPORANEITY |
Abstract
|
|
В. В. Савчук |
| |
| No 45 (2020) |
BIOGRAPHY OF THE DISSAPPEARING HUMAN BEING (BASED ON M. HOUELLEBECQ’S WRITINGS) |
Abstract
|
|
T. N. Ketova |
| |
| No 20 (2014) |
VISUAL CULTURE AND TNE NEW HISTORY OF ART |
Abstract
|
|
О. В. Беззубова |
| |
| No 21 (2014) |
AESTHETIC PERSON IN THE CONTEXT OF THE LANGUAGE ISSUE |
Abstract
|
|
С. Б. Никонова |
| |
| No 22 (2014) |
PHILOSOPHY OF YIN–YANG IN TRADITIONAL MONGOLIAN PAINTING |
Abstract
|
|
Баяр Баяртөр |
| |
| No 17 (2013) |
POLITICS OF AESTHETICS IN THE PROJECT OF MODERNITY |
Abstract
|
|
А. М. Сидоров |
| |
| No 23 (2015) |
IMAGE OF SIN IN THE CINEMA OF KRZYSZTOF KIESLOWSKI |
Abstract
|
|
М. Н. Могилевич |
| |
| No 23 (2015) |
THE MYTH OF SHAKESPEARIAN TRADITION AND MODERN SPECTATOR: RESULTS OF ANNIVERSARY YEAR |
Abstract
|
|
Л. Б. Капустина |
| |
| No 17 (2013) |
ABOUT THE «SIMPLE TRUTH» IN TEAPOLITIKI 1920-30'S (BASED ON EXAMPLES OF CRITICAL CONTROVERSY IN THEATRICAL PERIODICALS) |
Abstract
|
|
Н. Х. Орлова |
| |
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