| |
| Issue |
Title |
| |
| No 33 (2017) |
GENERATION OF IMAGE IN MEDIA TEXTS: SEMIOTIC ANALYSIS |
Abstract
|
|
N. O. Nogovitsyn / Н. О. Ноговицын |
| |
| No 17 (2013) |
COMMUNICATION IN THE CONTEXT OF PROBLEMS OF CONTEMPORARY ART |
Abstract
|
|
Т. Ю. Артеменко |
| |
| No 20 (2014) |
ANISH KAPOOR. BACK IN THE PRE-MYTH AND FORTH FOR POST-CONTEMPORANEITY |
Abstract
|
|
В. В. Савчук |
| |
| No 45 (2020) |
BIOGRAPHY OF THE DISSAPPEARING HUMAN BEING (BASED ON M. HOUELLEBECQ’S WRITINGS) |
Abstract
|
|
T. N. Ketova |
| |
| No 20 (2014) |
VISUAL CULTURE AND TNE NEW HISTORY OF ART |
Abstract
|
|
О. В. Беззубова |
| |
| No 21 (2014) |
AESTHETIC PERSON IN THE CONTEXT OF THE LANGUAGE ISSUE |
Abstract
|
|
С. Б. Никонова |
| |
| No 22 (2014) |
PHILOSOPHY OF YIN–YANG IN TRADITIONAL MONGOLIAN PAINTING |
Abstract
|
|
Баяр Баяртөр |
| |
| No 17 (2013) |
POLITICS OF AESTHETICS IN THE PROJECT OF MODERNITY |
Abstract
|
|
А. М. Сидоров |
| |
| No 23 (2015) |
IMAGE OF SIN IN THE CINEMA OF KRZYSZTOF KIESLOWSKI |
Abstract
|
|
М. Н. Могилевич |
| |
| No 23 (2015) |
THE MYTH OF SHAKESPEARIAN TRADITION AND MODERN SPECTATOR: RESULTS OF ANNIVERSARY YEAR |
Abstract
|
|
Л. Б. Капустина |
| |
| No 17 (2013) |
ABOUT THE «SIMPLE TRUTH» IN TEAPOLITIKI 1920-30'S (BASED ON EXAMPLES OF CRITICAL CONTROVERSY IN THEATRICAL PERIODICALS) |
Abstract
|
|
Н. Х. Орлова |
| |
| No 24 (2015) |
THE IMAGE OF A REPRESENTATIVE OF THE RUSSIAN REGIONS IN RUSSIAN PHOTOGRAPHY. NATIONAL AND INTERNATIONAL ASPECTS IN PHOTOGRAPHY |
Abstract
|
|
Д. Д. Щинова |
| |
| No 17 (2013) |
THE OTHER AND SENSIBILITY’S CONCEPTUALIZATIAN |
Abstract
|
|
М. Н. Могилевич |
| |
| No 17 (2013) |
THE PROJECT OF NEW SENSIBILITY IN H. MARCUSE |
Abstract
|
|
А. А. Добыкина |
| |
| No 24 (2015) |
HOMO AESTHETICUS IN THE AESTHETICS OF FORMALISM |
Abstract
|
|
Т. А. Акиндинова |
| |
| 51 - 65 of 65 Items |
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