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| Issue |
Title |
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| No 30 (2016) |
ANATOMY OF TRADITION |
Abstract
|
|
А. И. Бродский |
| |
| No 36 (2018) |
PERCEPTION OF SPACE AND TIME IN CULTURE DURING THE MEDIEVAL ERA |
Abstract
|
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Y. I. MILEKHINA / Ю.И. МИЛЁХИНА |
| |
| No 25 (2015) |
REPRESENTATION OF THE WEDDING IN SOVIET PAINTING OF 1960–1970: CULTURAL VIEWPOINT |
Abstract
|
|
А. В. Смирнов |
| |
| No 67 (2026) |
Comic aesthetics in late Stalinist cinema |
Abstract
PDF
|
|
T. A. Serebrennikova |
| |
| No 39 (2019) |
MODES OF REPRESENTATION AND MANIFESTATION OF THE MINISTRY OF CULTURE OF UKRAINE IN UKRNET |
Abstract
|
|
О. В. Добродум / O.V. Dobrodum |
| |
| No 32 (2017) |
TRANSFORMATION OF THE PHENOMENON OF BEING A FOOL FOR GOD’S SAKE IN RUSSIAN CULTURE: DISPLACEMENT FROM PUBLIC PRACTICE AND REACTUALIZATION IN LITERATURE |
Abstract
|
|
I. P. Busurkina/ И. П. Бусуркина |
| |
| No 55 (2023) |
To the Question of Construction of Methodology of Italian Studies in Russia |
Abstract
|
|
D. Popov |
| |
| No 62 (2024) |
Homo Digitalis in a Convergent Network Communication Space |
Abstract
|
|
A. A. Romanov, L. A. Abrosimova-Romanova, E. V. Malysheva |
| |
| No 52 (2022) |
“Two-faced Janus” of Socio-Cultural Codification |
Abstract
|
|
A. V. Babaeva |
| |
| No 59 (2024) |
Communication as a constituent form of organization of activity in pedagogical systems of nobler educational institutions in Russia |
Abstract
|
|
I. I. Solodovnikova |
| |
| No 34 (2017) |
RELIGIOUS AND SECULAR ART – THE GENERAL AND VARIOUS |
Abstract
|
|
I. B. Hmyrova-Pruel / И. Б. Хмырова-Пруель |
| |
| No 66 (2025) |
Orthodox clergymen of late 19th — early 20th centuries as students of religious culture: from mainstream to marginal position (compulsory university teaching of theology) |
Abstract
|
|
D. A. Bratkin |
| |
| No 55 (2023) |
The Italian Comedia of the 16th Century: Renewal of Classical Models |
Abstract
|
|
A. Glushkova |
| |
| No 59 (2024) |
Creation of 3D models of cultural artifacts: prospects and problems |
Abstract
|
|
M. S. Lyutaeva |
| |
| No 34 (2017) |
CULTURAL AND POLITICAL CHARACTERISTICS OF THE REPUBLIC OF YEMEN |
Abstract
|
|
М. Н. Mukbil / М. Х. Мукбиль |
| |
| No 62 (2024) |
Communicative Fairness in the Aspect of Digital Culture |
Abstract
|
|
O. V. Novoselova |
| |
| No 50 (2021) |
SUBSTITUTION REACTION OR FAREWELL TO THE CULTURE OF WORDS |
Abstract
|
|
A. V. Babaeva |
| |
| No 38 (2018) |
CLUSTER AS A FORM OF TEXT ORGANIZATION – PRODUCTION AS A FORMATION OF TEXTUAL |
Abstract
|
|
А. В. Апыхтин / A. V. Apykhtyn, Н. О. Ноговицын / N. O. Nogovitsyn |
| |
| No 68 (2026): Culture sonorous. Musical Culture |
Transcultural strategies in contemporary song discourse: linguo-cultural hybridity in the Belgian music scene |
Abstract
|
|
O. N. Gusev |
| |
| No 33 (2017) |
THE PHENOMENON OF THE MODERN THINGS: THE STARTING POSITION OF ANALYSIS |
Abstract
|
|
B. G. Sokolov / Б. Г. Соколов, A. E. Shabalina / А. Е. Шабалина |
| |
| No 30 (2016) |
METAPHOROLOGY AND TOPOLOGY OF GEOBIOGRAPHY |
Abstract
|
|
Л. Ю. Яковлева |
| |
| No 61 (2024) |
Modernity and historical consciousness |
Abstract
|
|
B. G. Sokolov |
| |
| No 49 (2021) |
POSTMODERNISM AND THE EMBODIMENT OF ITS BASIC PRINCIPLES IN THE MODERN ANIMAL FILM "NECHZHA: BIRTH OF A DEVIL" |
Abstract
|
|
Kuang Xiuli |
| |
| No 37 (2018) |
THE PROJECT «TERMINOLOGICAL APPARATUS AND METHODOLOGY FOR THE STUDY OF CULTURAL EXCLUSION ZONES». RESULTS OF THE STUDY |
Abstract
|
|
И. Ю. Пешперова / I.YU. Peshperova |
| |
| No 68 (2026): Culture sonorous. Musical Culture |
Leningrad: the pulse of an unapproachable soul |
Abstract
|
|
O. V. Kireeva |
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