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| Issue |
Title |
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| No 37 (2018) |
THE PROJECT «TERMINOLOGICAL APPARATUS AND METHODOLOGY FOR THE STUDY OF CULTURAL EXCLUSION ZONES». RESULTS OF THE STUDY |
Abstract
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И. Ю. Пешперова / I.YU. Peshperova |
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| No 49 (2021) |
THE PROCESS APPROACH OF THE CULTURAL INDUSTRIAL FORMS |
Abstract
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N. A. Malshina |
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| No 37 (2018) |
THE THING AS A MIRROR OF THE PERSON |
Abstract
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Л. П. Морина / L.P. Morina |
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| No 54 (2022) |
The Internet as a Special Sphere of Existence of a Modern Classical Music Performer |
Abstract
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K. S. Bakirova |
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| No 39 (2019) |
THE LIMITING STATES OF THE LANGUAGE OF CONTEMPORARY ART IN THE STRUCTURES OF RAP POETRY (ON THE EXAMPLE OF THE ALBUM «GORGOROD» (OXXXYMIRON)) |
Abstract
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С. В. Кардинская / S.V. Kardinskaya |
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| No 49 (2021) |
KANT LOVED MUSIC? AESTHETIC JUDGMENTS OF THE EDGING AND PROBLEM OF MODERN MUSIC |
Abstract
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I. B. Hmyrova-Pruel |
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| No 37 (2018) |
CULTURE AND RELIGION: RELIGIOUS THEMES IN THE WORKS OF VALERY BRYUSOV |
Abstract
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|
Т. И. Лузина / T.I. Luzina, А. Д. Гребченко / A.D. Grebchenko |
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| No 52 (2022) |
Cultural Code of Russian Culture: A. S. Pushkin’s Image in the Formation of “Places of Memory” |
Abstract
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V. A. Kirshin |
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| No 39 (2019) |
«MODERNITY» AS A METACULTURAL CODE |
Abstract
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Л. Б. Капустина / L.B. Kapustina |
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| No 49 (2021) |
FASHION BETWEEN CULTURE AND ART - CROSSING BORDERS |
Abstract
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Yvonne Förster, A. N. Lipov(translator from German) |
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| No 52 (2022) |
“I took Russia with me”: “Sovremennye Zapiski” (“Modern notes”) as a platform for Russian emigration in the 1920s |
Abstract
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A. P. Zinovyeva |
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| No 39 (2019) |
ART AS A PARADIGM: A CRITICAL READING OF ART’S END IN F. NIETZSCHE |
Abstract
PDF
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Лоренцо Кальцетта / Lorenzo Calzetta |
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| No 48 (2021) |
INFLUENCE OF THE WORLD PICTURE ON CULTURAL IDENTITY |
Abstract
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Sh. D. Khan |
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| No 45 (2020) |
PHILOSOPHICAL REFLECTION IN DRAMA (ON THE EXAMPLE OF THE PLAY BY GALINA ZHURAVLEVA "UNEVEN TIPS”) |
Abstract
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|
E. A. Shutova |
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| No 32 (2017) |
ADVERTISING IN HIGH AND LOW-CONTEXT CULTURES |
Abstract
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L. V. Novichenkova/Л. В. Новиченкова |
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| No 52 (2022) |
The Role of Cultural Codes in Understanding Russian Cultural Identity in the Republic of Turkey |
Abstract
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S. S. Dosaeva |
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| No 29 (2016) |
ISLAMIC ART: THE CULTURAL ASPECT OF THE RESEARCH |
Abstract
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Л. А. Орнатская, И. А. Тульпе |
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| No 48 (2021) |
CODES IN AZERBAIJANI CARPETS |
Abstract
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F. Mir-Bagirzadeh |
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| No 52 (2022) |
Italy’s Culture Code (Gastronomy Through the Eyes of the Other) |
Abstract
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|
A. Glushkova |
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| No 39 (2019) |
POSSIBLE ORGANIZATIONS: WHY ARE THERE SO FEW FORMS OF POSSIBLE ORGANIZATION OF COMMUNITIES |
Abstract
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С. В. Борзых / S.V. Borzykh |
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| No 29 (2016) |
ETHICS AND IDEOLOGY IN RUSSIAN CULTURE AT THE TURN OF XIX–XX CENTURIES |
Abstract
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Е. А. Овчинникова |
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| No 48 (2021) |
AESTHETIC EDUCATION - THE WAY TO MORAL PERSONAL INTEGRITY |
Abstract
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H. Akhmedova |
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| No 31 (2017) |
«MADE IN ITALY» IN ITALIAN UNIVERSITIES |
Abstract
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F. Papa/Ф. Папа |
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| No 17 (2013) |
TECHNOLOGIES OF INFORMATION SOCIETY: BETWEEN FUNCTIONALITY AND AESTHETICS |
Abstract
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Д. Е. Прокудин |
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| No 52 (2022) |
Reflection about Formation of the Cultural Code of the Russian Culture |
Abstract
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I. B. Hmyrova-Pruyel |
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