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| Issue |
Title |
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| No 55 (2023) |
The Italian Comedia of the 16th Century: Renewal of Classical Models |
Abstract
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A. Glushkova |
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| No 34 (2017) |
CULTURAL AND POLITICAL CHARACTERISTICS OF THE REPUBLIC OF YEMEN |
Abstract
|
|
М. Н. Mukbil / М. Х. Мукбиль |
| |
| No 50 (2021) |
SUBSTITUTION REACTION OR FAREWELL TO THE CULTURE OF WORDS |
Abstract
|
|
A. V. Babaeva |
| |
| No 38 (2018) |
CLUSTER AS A FORM OF TEXT ORGANIZATION – PRODUCTION AS A FORMATION OF TEXTUAL |
Abstract
|
|
А. В. Апыхтин / A. V. Apykhtyn, Н. О. Ноговицын / N. O. Nogovitsyn |
| |
| No 33 (2017) |
THE PHENOMENON OF THE MODERN THINGS: THE STARTING POSITION OF ANALYSIS |
Abstract
|
|
B. G. Sokolov / Б. Г. Соколов, A. E. Shabalina / А. Е. Шабалина |
| |
| No 30 (2016) |
METAPHOROLOGY AND TOPOLOGY OF GEOBIOGRAPHY |
Abstract
|
|
Л. Ю. Яковлева |
| |
| No 49 (2021) |
POSTMODERNISM AND THE EMBODIMENT OF ITS BASIC PRINCIPLES IN THE MODERN ANIMAL FILM "NECHZHA: BIRTH OF A DEVIL" |
Abstract
|
|
Kuang Xiuli |
| |
| No 37 (2018) |
THE PROJECT «TERMINOLOGICAL APPARATUS AND METHODOLOGY FOR THE STUDY OF CULTURAL EXCLUSION ZONES». RESULTS OF THE STUDY |
Abstract
|
|
И. Ю. Пешперова / I.YU. Peshperova |
| |
| No 49 (2021) |
THE PROCESS APPROACH OF THE CULTURAL INDUSTRIAL FORMS |
Abstract
|
|
N. A. Malshina |
| |
| No 37 (2018) |
THE THING AS A MIRROR OF THE PERSON |
Abstract
|
|
Л. П. Морина / L.P. Morina |
| |
| No 54 (2022) |
The Internet as a Special Sphere of Existence of a Modern Classical Music Performer |
Abstract
|
|
K. S. Bakirova |
| |
| No 39 (2019) |
THE LIMITING STATES OF THE LANGUAGE OF CONTEMPORARY ART IN THE STRUCTURES OF RAP POETRY (ON THE EXAMPLE OF THE ALBUM «GORGOROD» (OXXXYMIRON)) |
Abstract
|
|
С. В. Кардинская / S.V. Kardinskaya |
| |
| No 49 (2021) |
KANT LOVED MUSIC? AESTHETIC JUDGMENTS OF THE EDGING AND PROBLEM OF MODERN MUSIC |
Abstract
|
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I. B. Hmyrova-Pruel |
| |
| No 37 (2018) |
CULTURE AND RELIGION: RELIGIOUS THEMES IN THE WORKS OF VALERY BRYUSOV |
Abstract
|
|
Т. И. Лузина / T.I. Luzina, А. Д. Гребченко / A.D. Grebchenko |
| |
| No 58 (2023) |
Theoretical and Practical Aspects of Forming a Style and Culture of Scientific Thinking Led by E. N. Ustyugova |
Abstract
|
|
E. V. Barkova |
| |
| No 52 (2022) |
Cultural Code of Russian Culture: A. S. Pushkin’s Image in the Formation of “Places of Memory” |
Abstract
|
|
V. A. Kirshin |
| |
| No 39 (2019) |
«MODERNITY» AS A METACULTURAL CODE |
Abstract
|
|
Л. Б. Капустина / L.B. Kapustina |
| |
| No 49 (2021) |
FASHION BETWEEN CULTURE AND ART - CROSSING BORDERS |
Abstract
|
|
Yvonne Förster, A. N. Lipov(translator from German) |
| |
| No 57 (2023) |
Modern Drama: the Search for Ontological Issues |
Abstract
|
|
E. A. Shutova |
| |
| No 52 (2022) |
“I took Russia with me”: “Sovremennye Zapiski” (“Modern notes”) as a platform for Russian emigration in the 1920s |
Abstract
|
|
A. P. Zinovyeva |
| |
| No 39 (2019) |
ART AS A PARADIGM: A CRITICAL READING OF ART’S END IN F. NIETZSCHE |
Abstract
PDF
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|
Лоренцо Кальцетта / Lorenzo Calzetta |
| |
| No 48 (2021) |
INFLUENCE OF THE WORLD PICTURE ON CULTURAL IDENTITY |
Abstract
|
|
Sh. D. Khan |
| |
| No 57 (2023) |
Folk Crafts. This Is Art? |
Abstract
|
|
I. I. Tumanov |
| |
| No 45 (2020) |
PHILOSOPHICAL REFLECTION IN DRAMA (ON THE EXAMPLE OF THE PLAY BY GALINA ZHURAVLEVA "UNEVEN TIPS”) |
Abstract
|
|
E. A. Shutova |
| |
| No 32 (2017) |
ADVERTISING IN HIGH AND LOW-CONTEXT CULTURES |
Abstract
|
|
L. V. Novichenkova/Л. В. Новиченкова |
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| 26 - 50 of 124 Items |
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