| Issue | Title | |
| No 59 (2024) | Cultural code in digital reality | Abstract |
| A. V. Babaeva | ||
| No 64 (2025): Culture sonorous. Musical Culture | Art culture in the conditions of development of artificial intelligence: music and visual art (on the example of China) | Abstract |
| Сziahao Yan | ||
| No 60 (2024) | The life and work of K.V. Nabokov: the problem of classification and interpretation of sources | Abstract |
| D. D. Afanasyev | ||
| No 49 (2021) | THE PROCESS APPROACH OF THE CULTURAL INDUSTRIAL FORMS | Abstract |
| N. A. Malshina | ||
| No 37 (2018) | THE THING AS A MIRROR OF THE PERSON | Abstract |
| Л. П. Морина / L.P. Morina | ||
| No 68 (2026): Culture sonorous. Musical Culture | The evolution of the spiritual culture of ancient China: from the sacred to the secular in poetry (11th century BC — 3rd century AD) | Abstract |
| D. Yu. Sergeenkova | ||
| No 64 (2025): Culture sonorous. Musical Culture | About creativity, the artist and about art (on the example of the novel by George Sand «Consuelo») | Abstract |
| I. B. Hmyrova-Pruyel | ||
| No 54 (2022) | The Internet as a Special Sphere of Existence of a Modern Classical Music Performer | Abstract |
| K. S. Bakirova | ||
| No 39 (2019) | THE LIMITING STATES OF THE LANGUAGE OF CONTEMPORARY ART IN THE STRUCTURES OF RAP POETRY (ON THE EXAMPLE OF THE ALBUM «GORGOROD» (OXXXYMIRON)) | Abstract |
| С. В. Кардинская / S.V. Kardinskaya | ||
| No 49 (2021) | KANT LOVED MUSIC? AESTHETIC JUDGMENTS OF THE EDGING AND PROBLEM OF MODERN MUSIC | Abstract |
| I. B. Hmyrova-Pruel | ||
| No 37 (2018) | CULTURE AND RELIGION: RELIGIOUS THEMES IN THE WORKS OF VALERY BRYUSOV | Abstract |
| Т. И. Лузина / T.I. Luzina, А. Д. Гребченко / A.D. Grebchenko | ||
| No 58 (2023) | Theoretical and Practical Aspects of Forming a Style and Culture of Scientific Thinking Led by E. N. Ustyugova | Abstract |
| E. V. Barkova | ||
| No 64 (2025): Culture sonorous. Musical Culture | Bard's art: turning over the page? | Abstract |
| A. V. Babaeva | ||
| No 52 (2022) | Cultural Code of Russian Culture: A. S. Pushkin’s Image in the Formation of “Places of Memory” | Abstract |
| V. A. Kirshin | ||
| No 39 (2019) | «MODERNITY» AS A METACULTURAL CODE | Abstract |
| Л. Б. Капустина / L.B. Kapustina | ||
| No 60 (2024) | Simply about music. Emotions in music (invitation to conversation) | Abstract |
| I. B. Hmyrova-Pruel | ||
| No 49 (2021) | FASHION BETWEEN CULTURE AND ART - CROSSING BORDERS | Abstract |
| Yvonne Förster, A. N. Lipov(translator from German) | ||
| No 67 (2026) | The voice of speech in the digital world: aesthetic perspectives | Abstract |
| E. A. Shutova | ||
| No 57 (2023) | Modern Drama: the Search for Ontological Issues | Abstract |
| E. A. Shutova | ||
| No 63 (2025) | Shaping nature: the interplay of gardens and forests in Russia | Abstract PDF |
| Liang Zi | ||
| No 52 (2022) | “I took Russia with me”: “Sovremennye Zapiski” (“Modern notes”) as a platform for Russian emigration in the 1920s | Abstract |
| A. P. Zinovyeva | ||
| No 39 (2019) | ART AS A PARADIGM: A CRITICAL READING OF ART’S END IN F. NIETZSCHE | Abstract PDF |
| Лоренцо Кальцетта / Lorenzo Calzetta | ||
| No 60 (2024) | Evolution of musical culture and its role in the world of electricity | Abstract |
| S. A. Pervov | ||
| No 48 (2021) | INFLUENCE OF THE WORLD PICTURE ON CULTURAL IDENTITY | Abstract |
| Sh. D. Khan | ||
| No 57 (2023) | Folk Crafts. This Is Art? | Abstract |
| I. I. Tumanov | ||
| 51 - 75 of 158 Items | << < 1 2 3 4 5 6 7 > >> | |
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