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| Issue |
Title |
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| No 38 (2018) |
THE SOCIETY OF THE SPECTACLE. HONORE DAUMIER’S «DRAMA» |
Abstract
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А. В. Рыков \ A.V. Rykov |
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| No 40 (2019) |
REVOLUTIONARY-CONSERVATIVE CHARACTER AND IDEA-PATRIOTIC NATURE OF DOMESTIC CULTURE IN LECTURES BY M. A. LIFSHITZ “ON RUSSIAN CULTURE AND ITS WORLD SIGNIFICANCE” |
Abstract
PDF
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А. Н. МУРАВЬЁВ / A. N. MURAVYEV |
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| No 38 (2018) |
PHENOMENOLOGO-SYMBOLIC DESCRIPTION OF HOME OF GASTON BACHELARD |
Abstract
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Б. Г. Соколов / B. G. Sokolov |
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| No 26 (2015) |
MODERN AESTHETICS: SYNESTHETIC PARADIGM |
Abstract
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С. В. Конанчук |
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| No 46 (2020) |
THE CRISIS OF MONUMENTS: TURN FROM "HISTORY FOR ALL" TO A PERSON (ON THE EXAMPLE OF MONUMENTS IN PRAGUE) |
Abstract
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A. I. Rezvukhina |
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| No 40 (2019) |
AZERBAIJANI MODEL OF MULTICULTURALISM |
Abstract
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С.А. МИР-БАГИРЗАДЕ / S. A. MIR-BAGIRZADE |
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| No 30 (2016) |
THE STATUS OF THINGS IN THE CONTEXT OF INFORMATION CULTURE |
Abstract
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Н. О. Ноговицын |
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| No 38 (2018) |
PARADIGMATICS OF OBJECTIFICATION OF THE ART TEXT IN CULTURE. «LITERATUROCENTRIZM». CENSORSHIP |
Abstract
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А. Н. Колосков / A. N. Koloskov |
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| No 26 (2015) |
ART AND NOTHINGNESS |
Abstract
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А. Л. Казин |
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| No 21 (2014) |
NIETZSCHE: «APERTO LIBRO» |
Abstract
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Л. Б. Капустина |
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| No 46 (2020) |
INVENTION OF THE PAST: LANDSCAPE AS A WAY OF IDENTITY CONSTRUCTING |
Abstract
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A. I. Rezvukhina (Jr.) |
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| No 18 (2013) |
The ecomuseum “Bargustay” on Lake Uureg-nur as a center of preservation of the Western Mongolian Derbets’ ethnocultural heritage |
Abstract
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В. М. Кимеев |
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| No 40 (2019) |
SYSTEM OF SIGNS AS SYSTEM OF THINGS: REFLECTIONS ON CONTEMPORANEITY THEME |
Abstract
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А. В. Апыхтин / A. V. Apykhtyn, А.Е. ШАБАЛИНА / A. YE. SHABALINA |
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| No 20 (2014) |
DANCE AS AN ELEMENT OF IDENTITY AND THE EMBODIMENT OF THE NATIONAL SPIRIT OF SPAIN |
Abstract
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М. А. Чистякова |
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| No 46 (2020) |
MEMORY OF CULTURE: THE AUTOBIOGRAPHICAL NARRATIVE OF V.V. WEIDLE |
Abstract
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I. O. Shchedrina, D. V. Gurin |
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| No 18 (2013) |
The current state of playing the tsuur in Western Mongolia |
Abstract
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Т. Содгэрэл |
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| No 20 (2014) |
SPONTANEOUS DESIGN: STRATEGY ОF SCIENTIFIC DESCRIPTION |
Abstract
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А. В. Смирнов |
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| No 26 (2015) |
"BODY" IN CULTURE: HISTORICAL TRANSFORMATIONS |
Abstract
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Г. А. Брандт |
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| No 22 (2014) |
THE BUDDHIST CULTURE IS «ABSOLUTALY MORAL VALUE» — CONNECTING KALMYK AND MONGOLIAN PEOPLE AS A SISTEM OF EURASIAN CIVILIZATION |
Abstract
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А. Н. Овшинов |
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| No 18 (2013) |
Some peculiarities of the national and cultural identity of Mongolia |
Abstract
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З. Батжаргал |
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| No 30 (2016) |
THE MORAL AND ETHICAL THEORY IN DOMESTIC CULTURE-REVOLUTIONARY PERIOD (20TH YEARS OF XX CENTURY). |
Abstract
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Е. А. Овчинникова |
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| No 26 (2015) |
SAINT ISAAC`S CATHEDRAL AS AN ICONIC FIGURE IN THE HISTORY OF RUSSIAN CULTURE (SCULPTURAL IMAGES OF ST.ISAAC'S CATHEDRAL: PORTICOS, DOORS) |
Abstract
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Т. А. Акиндинова |
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| No 22 (2014) |
ECOLOGY OF CULTURE OF ТHE ALTAI ETHNOSOPHY |
Abstract
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А. В. Малинов |
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| No 33 (2017) |
THE ARTS AFTER «MORPHOLOGY OF THE ARTS»: ART OBJECTS AND CULTURE-CENTRISM |
Abstract
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L. A. Zaks / Л. А. Закс |
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| No 25 (2015) |
THE RUSSIANS IN GERMANY: THE PROBLEMS OF INTEGRATION |
Abstract
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В. П. Мурадов |
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