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| Issue |
Title |
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| No 45 (2020) |
PHILOSOPHICAL REFLECTION IN DRAMA (ON THE EXAMPLE OF THE PLAY BY GALINA ZHURAVLEVA "UNEVEN TIPS”) |
Abstract
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|
E. A. Shutova |
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| No 32 (2017) |
ADVERTISING IN HIGH AND LOW-CONTEXT CULTURES |
Abstract
|
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L. V. Novichenkova/Л. В. Новиченкова |
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| No 63 (2025) |
Prophetic dreams in the semiotic space of the modern culture |
Abstract
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|
D. D. Zhurba |
| |
| No 52 (2022) |
The Role of Cultural Codes in Understanding Russian Cultural Identity in the Republic of Turkey |
Abstract
|
|
S. S. Dosaeva |
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| No 29 (2016) |
ISLAMIC ART: THE CULTURAL ASPECT OF THE RESEARCH |
Abstract
|
|
Л. А. Орнатская, И. А. Тульпе |
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| No 60 (2024) |
Neuromusic and aesthetics of attention |
Abstract
|
|
N. A. Romanov |
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| No 48 (2021) |
CODES IN AZERBAIJANI CARPETS |
Abstract
|
|
F. Mir-Bagirzadeh |
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| No 67 (2026) |
Our Russian. Why we not so speak |
Abstract
|
|
I. B. Hmyrova-Pruyel |
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| No 63 (2025) |
The symbol in the aspect of intertextuality |
Abstract
PDF
|
|
L. P. Morina |
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| No 52 (2022) |
Italy’s Culture Code (Gastronomy Through the Eyes of the Other) |
Abstract
|
|
A. Glushkova |
| |
| No 39 (2019) |
POSSIBLE ORGANIZATIONS: WHY ARE THERE SO FEW FORMS OF POSSIBLE ORGANIZATION OF COMMUNITIES |
Abstract
|
|
С. В. Борзых / S.V. Borzykh |
| |
| No 29 (2016) |
ETHICS AND IDEOLOGY IN RUSSIAN CULTURE AT THE TURN OF XIX–XX CENTURIES |
Abstract
|
|
Е. А. Овчинникова |
| |
| No 60 (2024) |
The sounding world |
Abstract
|
|
V. S. Zvarieyhuk |
| |
| No 48 (2021) |
AESTHETIC EDUCATION - THE WAY TO MORAL PERSONAL INTEGRITY |
Abstract
|
|
H. Akhmedova |
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| No 31 (2017) |
«MADE IN ITALY» IN ITALIAN UNIVERSITIES |
Abstract
|
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F. Papa/Ф. Папа |
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| No 17 (2013) |
TECHNOLOGIES OF INFORMATION SOCIETY: BETWEEN FUNCTIONALITY AND AESTHETICS |
Abstract
|
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Д. Е. Прокудин |
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| No 62 (2024) |
Story about Zhuang-zi and His Wife, and It’s Improvement in Russia |
Abstract
|
|
D. V. Tsvetkov |
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| No 52 (2022) |
Reflection about Formation of the Cultural Code of the Russian Culture |
Abstract
|
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I. B. Hmyrova-Pruyel |
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| No 38 (2018) |
THE SOCIETY OF THE SPECTACLE. HONORE DAUMIER’S «DRAMA» |
Abstract
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А. В. Рыков \ A.V. Rykov |
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| No 59 (2024) |
Buddhist culture in the digital space: tantric initiations on-line |
Abstract
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Yu. Yu. Erendzhenova |
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| No 40 (2019) |
REVOLUTIONARY-CONSERVATIVE CHARACTER AND IDEA-PATRIOTIC NATURE OF DOMESTIC CULTURE IN LECTURES BY M. A. LIFSHITZ “ON RUSSIAN CULTURE AND ITS WORLD SIGNIFICANCE” |
Abstract
PDF
|
|
А. Н. МУРАВЬЁВ / A. N. MURAVYEV |
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| No 38 (2018) |
PHENOMENOLOGO-SYMBOLIC DESCRIPTION OF HOME OF GASTON BACHELARD |
Abstract
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|
Б. Г. Соколов / B. G. Sokolov |
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| No 26 (2015) |
MODERN AESTHETICS: SYNESTHETIC PARADIGM |
Abstract
|
|
С. В. Конанчук |
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| No 46 (2020) |
THE CRISIS OF MONUMENTS: TURN FROM "HISTORY FOR ALL" TO A PERSON (ON THE EXAMPLE OF MONUMENTS IN PRAGUE) |
Abstract
|
|
A. I. Rezvukhina |
| |
| No 40 (2019) |
AZERBAIJANI MODEL OF MULTICULTURALISM |
Abstract
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|
С.А. МИР-БАГИРЗАДЕ / S. A. MIR-BAGIRZADE |
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