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| Issue |
Title |
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| No 46 (2020) |
INVENTION OF THE PAST: LANDSCAPE AS A WAY OF IDENTITY CONSTRUCTING |
Abstract
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A. I. Rezvukhina (Jr.) |
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| No 18 (2013) |
The ecomuseum “Bargustay” on Lake Uureg-nur as a center of preservation of the Western Mongolian Derbets’ ethnocultural heritage |
Abstract
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В. М. Кимеев |
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| No 40 (2019) |
SYSTEM OF SIGNS AS SYSTEM OF THINGS: REFLECTIONS ON CONTEMPORANEITY THEME |
Abstract
PDF
|
|
А. В. Апыхтин / A. V. Apykhtyn, А.Е. ШАБАЛИНА / A. YE. SHABALINA |
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| No 20 (2014) |
DANCE AS AN ELEMENT OF IDENTITY AND THE EMBODIMENT OF THE NATIONAL SPIRIT OF SPAIN |
Abstract
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М. А. Чистякова |
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| No 46 (2020) |
MEMORY OF CULTURE: THE AUTOBIOGRAPHICAL NARRATIVE OF V.V. WEIDLE |
Abstract
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I. O. Shchedrina, D. V. Gurin |
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| No 18 (2013) |
The current state of playing the tsuur in Western Mongolia |
Abstract
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Т. Содгэрэл |
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| No 20 (2014) |
SPONTANEOUS DESIGN: STRATEGY ОF SCIENTIFIC DESCRIPTION |
Abstract
|
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А. В. Смирнов |
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| No 26 (2015) |
"BODY" IN CULTURE: HISTORICAL TRANSFORMATIONS |
Abstract
|
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Г. А. Брандт |
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| No 22 (2014) |
THE BUDDHIST CULTURE IS «ABSOLUTALY MORAL VALUE» — CONNECTING KALMYK AND MONGOLIAN PEOPLE AS A SISTEM OF EURASIAN CIVILIZATION |
Abstract
|
|
А. Н. Овшинов |
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| No 18 (2013) |
Some peculiarities of the national and cultural identity of Mongolia |
Abstract
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З. Батжаргал |
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| No 30 (2016) |
THE MORAL AND ETHICAL THEORY IN DOMESTIC CULTURE-REVOLUTIONARY PERIOD (20TH YEARS OF XX CENTURY). |
Abstract
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Е. А. Овчинникова |
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| No 26 (2015) |
SAINT ISAAC`S CATHEDRAL AS AN ICONIC FIGURE IN THE HISTORY OF RUSSIAN CULTURE (SCULPTURAL IMAGES OF ST.ISAAC'S CATHEDRAL: PORTICOS, DOORS) |
Abstract
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Т. А. Акиндинова |
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| No 22 (2014) |
ECOLOGY OF CULTURE OF ТHE ALTAI ETHNOSOPHY |
Abstract
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А. В. Малинов |
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| No 33 (2017) |
THE ARTS AFTER «MORPHOLOGY OF THE ARTS»: ART OBJECTS AND CULTURE-CENTRISM |
Abstract
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L. A. Zaks / Л. А. Закс |
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| No 25 (2015) |
THE RUSSIANS IN GERMANY: THE PROBLEMS OF INTEGRATION |
Abstract
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В. П. Мурадов |
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| No 23 (2015) |
TO BE IN YOUR OWN COMPANY — IT IS SO BORING, IT IS SO SCARY |
Abstract
|
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Е. Вульф |
| |
| No 45 (2020) |
ETHNO-RELIGIOUS DIMENSION OF MODERN RUSSIAN IDENTITY: ORTHODOXY VS NEO-PAGANISM |
Abstract
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A. A. Beskov |
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| No 33 (2017) |
M.S.KAGAN’S «MORPHOLOGY OF ART» AS AN OPEN SYSTEM |
Abstract
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E. N. Ustiugova / Е. Н. Устюгова |
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| No 18 (2013) |
The Buddhist concept “karma” and the category “fate” in the culture of Kalmyks |
Abstract
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К. А. Наднеева |
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| No 33 (2017) |
GENERATION OF IMAGE IN MEDIA TEXTS: SEMIOTIC ANALYSIS |
Abstract
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N. O. Nogovitsyn / Н. О. Ноговицын |
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| No 36 (2018) |
Z. FREUD’S IDEAS ON RATIONALISTIC PACIFISM |
Abstract
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L. А. KLYUKINA / Л.А. КЛЮКИНА, О. A. GERCHINA / О.А. ГЕРЧИНА |
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| No 35 (2018) |
MODERN HUMANITIES AND NEW STRATEGIES IN MUSEUM EXPOSITION |
Abstract
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A. V. Smirnov / А.В. Смирнов |
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| No 25 (2015) |
«THE LIFE OF CONSTANTINE THE PHILOSOPHER» — NATIONAL TREASURE EAST SLAVIC CULTURE |
Abstract
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А. Н. Овшинов |
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| No 24 (2015) |
THE IMAGE OF A REPRESENTATIVE OF THE RUSSIAN REGIONS IN RUSSIAN PHOTOGRAPHY. NATIONAL AND INTERNATIONAL ASPECTS IN PHOTOGRAPHY |
Abstract
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Д. Д. Щинова |
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| No 35 (2018) |
RUSSIAN FEDERATION CULTURE PHENOMENON (TO RAISING THE PROBLEM) |
Abstract
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V. М. Soloviev / В.М. Соловьев |
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