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| Issue |
Title |
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| No 30 (2016) |
THE STATUS OF THINGS IN THE CONTEXT OF INFORMATION CULTURE |
Abstract
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|
Н. О. Ноговицын |
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| No 38 (2018) |
PARADIGMATICS OF OBJECTIFICATION OF THE ART TEXT IN CULTURE. «LITERATUROCENTRIZM». CENSORSHIP |
Abstract
|
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А. Н. Колосков / A. N. Koloskov |
| |
| No 26 (2015) |
ART AND NOTHINGNESS |
Abstract
|
|
А. Л. Казин |
| |
| No 21 (2014) |
NIETZSCHE: «APERTO LIBRO» |
Abstract
|
|
Л. Б. Капустина |
| |
| No 46 (2020) |
INVENTION OF THE PAST: LANDSCAPE AS A WAY OF IDENTITY CONSTRUCTING |
Abstract
|
|
A. I. Rezvukhina (Jr.) |
| |
| No 18 (2013) |
The ecomuseum “Bargustay” on Lake Uureg-nur as a center of preservation of the Western Mongolian Derbets’ ethnocultural heritage |
Abstract
|
|
В. М. Кимеев |
| |
| No 40 (2019) |
SYSTEM OF SIGNS AS SYSTEM OF THINGS: REFLECTIONS ON CONTEMPORANEITY THEME |
Abstract
PDF
|
|
А. В. Апыхтин / A. V. Apykhtyn, А.Е. ШАБАЛИНА / A. YE. SHABALINA |
| |
| No 20 (2014) |
DANCE AS AN ELEMENT OF IDENTITY AND THE EMBODIMENT OF THE NATIONAL SPIRIT OF SPAIN |
Abstract
|
|
М. А. Чистякова |
| |
| No 46 (2020) |
MEMORY OF CULTURE: THE AUTOBIOGRAPHICAL NARRATIVE OF V.V. WEIDLE |
Abstract
|
|
I. O. Shchedrina, D. V. Gurin |
| |
| No 18 (2013) |
The current state of playing the tsuur in Western Mongolia |
Abstract
|
|
Т. Содгэрэл |
| |
| No 20 (2014) |
SPONTANEOUS DESIGN: STRATEGY ОF SCIENTIFIC DESCRIPTION |
Abstract
|
|
А. В. Смирнов |
| |
| No 26 (2015) |
"BODY" IN CULTURE: HISTORICAL TRANSFORMATIONS |
Abstract
|
|
Г. А. Брандт |
| |
| No 22 (2014) |
THE BUDDHIST CULTURE IS «ABSOLUTALY MORAL VALUE» — CONNECTING KALMYK AND MONGOLIAN PEOPLE AS A SISTEM OF EURASIAN CIVILIZATION |
Abstract
|
|
А. Н. Овшинов |
| |
| No 18 (2013) |
Some peculiarities of the national and cultural identity of Mongolia |
Abstract
|
|
З. Батжаргал |
| |
| No 30 (2016) |
THE MORAL AND ETHICAL THEORY IN DOMESTIC CULTURE-REVOLUTIONARY PERIOD (20TH YEARS OF XX CENTURY). |
Abstract
|
|
Е. А. Овчинникова |
| |
| No 26 (2015) |
SAINT ISAAC`S CATHEDRAL AS AN ICONIC FIGURE IN THE HISTORY OF RUSSIAN CULTURE (SCULPTURAL IMAGES OF ST.ISAAC'S CATHEDRAL: PORTICOS, DOORS) |
Abstract
|
|
Т. А. Акиндинова |
| |
| No 22 (2014) |
ECOLOGY OF CULTURE OF ТHE ALTAI ETHNOSOPHY |
Abstract
|
|
А. В. Малинов |
| |
| No 33 (2017) |
THE ARTS AFTER «MORPHOLOGY OF THE ARTS»: ART OBJECTS AND CULTURE-CENTRISM |
Abstract
|
|
L. A. Zaks / Л. А. Закс |
| |
| No 25 (2015) |
THE RUSSIANS IN GERMANY: THE PROBLEMS OF INTEGRATION |
Abstract
|
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В. П. Мурадов |
| |
| No 23 (2015) |
TO BE IN YOUR OWN COMPANY — IT IS SO BORING, IT IS SO SCARY |
Abstract
|
|
Е. Вульф |
| |
| No 45 (2020) |
ETHNO-RELIGIOUS DIMENSION OF MODERN RUSSIAN IDENTITY: ORTHODOXY VS NEO-PAGANISM |
Abstract
|
|
A. A. Beskov |
| |
| No 33 (2017) |
M.S.KAGAN’S «MORPHOLOGY OF ART» AS AN OPEN SYSTEM |
Abstract
|
|
E. N. Ustiugova / Е. Н. Устюгова |
| |
| No 18 (2013) |
The Buddhist concept “karma” and the category “fate” in the culture of Kalmyks |
Abstract
|
|
К. А. Наднеева |
| |
| No 33 (2017) |
GENERATION OF IMAGE IN MEDIA TEXTS: SEMIOTIC ANALYSIS |
Abstract
|
|
N. O. Nogovitsyn / Н. О. Ноговицын |
| |
| No 36 (2018) |
Z. FREUD’S IDEAS ON RATIONALISTIC PACIFISM |
Abstract
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|
L. А. KLYUKINA / Л.А. КЛЮКИНА, О. A. GERCHINA / О.А. ГЕРЧИНА |
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