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Issue Title
 
No 54 (2022) The Current State and Development Trends of Music Education in China Abstract
H. Feng, V. Zheleznyak
 
No 54 (2022) Music and Language: Thinking–Perception–Practice Abstract
G. K. Zhukova, M. Yu. Zhukova
 
No 60 (2024) Heavy Metal Music research area Abstract
D. E. Prokudin
 
No 57 (2023) Semiotics of Digitalization in Music Abstract
S. T. Makhlina
 
No 36 (2018) SOCIAL TRANSGRESSION REFLECTION IN THE CONTEMPORARY ROCK MUSIC OF ISLAMIC REGIONS Abstract
А. Е. VYKHOVANETS / А.Е. ВЫХОВАНЕЦ, O. K. MIKHELSON / О. К. МИХЕЛЬСОН
 
No 60 (2024) Communicaton space of amateur chorus and authoritarianism of musical craft Abstract
V. V. Prudyak
 
No 25 (2015) THE ITALIAN ACCENT RUSSIAN MUSICAL CULTURE OF A XVIII CENTURY (HISTORICAL DIGRESSION) Abstract
И. Б. Хмырова-Пруель
 
No 60 (2024) Simply about music. Emotions in music (invitation to conversation) Abstract
I. B. Hmyrova-Pruel
 
No 54 (2022) The Internet as a Special Sphere of Existence of a Modern Classical Music Performer Abstract
K. S. Bakirova
 
No 60 (2024) Evolution of musical culture and its role in the world of electricity Abstract
S. A. Pervov
 
No 60 (2024) The modern concept of sound in the light of immanent metaphysics in dialogue with musicological traditions Abstract
E. V. Pridanova
 
No 39 (2019) SOUND AS THING: TO HEAR – TO SEE – TO EXPERIENCE Abstract
Л. П. Морина / L.P. Morina, И. Б. Хмырова-Пруель / I.B. Khmyrova-Pruel
 
No 60 (2024) Neuromusic and aesthetics of attention Abstract
N. A. Romanov
 
No 49 (2021) KANT LOVED MUSIC? AESTHETIC JUDGMENTS OF THE EDGING AND PROBLEM OF MODERN MUSIC Abstract
I. B. Hmyrova-Pruel
 
No 60 (2024) The sounding world Abstract
V. S. Zvarieyhuk
 
No 62 (2024) The Lyrics of the Poets of the Silver Age in Soviet Popular Culture Abstract
A. Kh. Imkhasina
 
No 62 (2024) Jazz Musicians in Vugar Ali ’ Paintings Abstract
F. Mir-Bagirzadeh
 
No 60 (2024) Musical elements in the mysteries of the Altai shaman and Kam: semiotic and phenomenological analysis in the context of European musical culture Abstract
D. A. Yarochkin
 
No 54 (2022) Lost and Found Musical Genres, Forms and Images as the Legacy of the Great Composer Eduard Nikolaevich Artemiev Abstract
I. I. Plotnikov
 
No 54 (2022) Russian Philosophy of Music and the Experience of Phenomenological Perception: Synesthesia and Psychodelia Abstract
E. V. Boruta
 
No 60 (2024) Evolution of understanding of musical time and essence of the concept “musical temporalnost” Abstract
S. V. Nikishina
 
No 54 (2022) Evolution of Metal Groups: between Creativity and Commerce Abstract
D. E. Prokudin
 
No 53 (2022) Spronck V. Testing the Parameters of Music: The Halberstadt Performance of John Cage’s ORGAN2/ASLSP as Experimental System Abstract
A. N. Lipov
 
No 53 (2022) Late soviet religious consciousness in the poetry of Ilya Kormiltsev Abstract
D. A. Budaev
 
No 36 (2018) SACRED MUSIC TO OPERA: THE LANGUAGE OF SILENCE, OR THE SILENCE OF LANGUAGE? Abstract
A. K. NOVIKOVA / А.К. НОВИКОВА
 
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