| |
| Issue |
Title |
| |
| No 53 (2022) |
Spronck V. Testing the Parameters of Music: The Halberstadt Performance of John Cage’s ORGAN2/ASLSP as Experimental System |
Abstract
|
|
A. N. Lipov |
| |
| No 53 (2022) |
Late soviet religious consciousness in the poetry of Ilya Kormiltsev |
Abstract
|
|
D. A. Budaev |
| |
| No 64 (2025): Culture sonorous. Musical Culture |
Music of criminal proceedings (thoughts) |
Abstract
|
|
N. A. Bydantsev |
| |
| No 36 (2018) |
SACRED MUSIC TO OPERA: THE LANGUAGE OF SILENCE, OR THE SILENCE OF LANGUAGE? |
Abstract
|
|
A. K. NOVIKOVA / А.К. НОВИКОВА |
| |
| No 35 (2018) |
ROMANTICISM ERA - SOME FEATURES OF GERMAN MUSICAL BIEDERMEIER |
Abstract
|
|
I. B. Hmyrova-Pruel / И. Б. Хмырова-Пруель, E. M. Sakseeva/ Е.М. Саксеева |
| |
| No 29 (2016) |
THE PROBLEM OF INTERPRETATION OF MUSIC IN THE CONTEXT OF PHILOSOPHICAL ANALYSIS (HERMENEUTICS-AXIOLOGICALAPPROACH) |
Abstract
|
|
Е. А. Капичина |
| |
| No 17 (2013) |
PHILOSOPHICAL UNDERSTANDING OF MUSIC IN THE CONTEXT OF AESTHETIC THEORY SUSANNE LANGER |
Abstract
|
|
А. Н. Тормахова |
| |
| No 17 (2013) |
FORMATION AND DEVELOPMENT OF HOMO AESTHETICUS. «THE LAST DAYS OF IMMANUEL KANT» BY F. COLLIN |
Abstract
|
|
С. Б. Никонова |
| |
| No 20 (2014) |
MUSIC PEDAGOGICS AS A SPACE TRANSCULTURAL MUSICAL MEDIATION |
Abstract
|
|
Р. Р. Касимова |
| |
| No 24 (2015) |
HOMO AESTHETICUS IN THE AESTHETICS OF FORMALISM |
Abstract
|
|
Т. А. Акиндинова |
| |
| 26 - 35 of 35 Items |
<< < 1 2 |
