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| Issue |
Title |
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| No 61 (2024) |
An epistemological view of the philosophy of psychiatry: from marginal paradigms to the meta-level of science |
Abstract
|
|
O. A. Vlasova |
| |
| No 51 (2022) |
Schopenhauer in Italian Contemporary Philosophical Debates: an Analysis of Schopenhauer’s Oriental Studies by Giovanni Gurisatti |
Abstract
|
|
S. Cepparulo |
| |
| No 61 (2024) |
Dialogue of philosophical cultures: the time of modernity crisis and intercultural philosophy |
Abstract
|
|
N. S. Kirabaev |
| |
| No 61 (2024) |
Methodological potential of philosophical comparative studies in solving the problems of modern education |
Abstract
|
|
O. A. Beregovaya |
| |
| No 49 (2021) |
KANT LOVED MUSIC? AESTHETIC JUDGMENTS OF THE EDGING AND PROBLEM OF MODERN MUSIC |
Abstract
|
|
I. B. Hmyrova-Pruel |
| |
| No 68 (2026): Culture sonorous. Musical Culture |
Lost wholeness: sound, word and image in the syncretic thought of Hildegarde von Bingen |
Abstract
|
|
E. A. Baum |
| |
| No 60 (2024) |
Simply about music. Emotions in music (invitation to conversation) |
Abstract
|
|
I. B. Hmyrova-Pruel |
| |
| No 48 (2021) |
THEORY OF ARCHITECTURAL FORMS: FROM SPACE TO EVENT STUDY GUIDELINES |
Abstract
|
|
Zh. V. Nikolaeva |
| |
| No 46 (2020) |
THE PROBLEM OF CORRELATIONISM AND THE PROPOSED WAYS OF ITS SOLUTION IN THE WORKS OF REPRESENTATIVES OF SPECULATIVE REALISM |
Abstract
|
|
V. N. Malyshev |
| |
| No 26 (2015) |
SELF-IDENTIFICATION OF AESTHETICS IN CULTURAL HISTORY |
Abstract
|
|
В. В. Прозерский |
| |
| No 46 (2020) |
MEMORY OF CULTURE: THE AUTOBIOGRAPHICAL NARRATIVE OF V.V. WEIDLE |
Abstract
|
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I. O. Shchedrina, D. V. Gurin |
| |
| No 40 (2019) |
ON THE WAY FROM MARXISM TO PHILOSOPHY. M. A. LIFSHITZ AND G. W. F. HEGEL |
Abstract
|
|
А. А. ИВАНЕНКО / А. А. IVANENKO |
| |
| No 30 (2016) |
ARTISTIC PRACTICE FROM THE «END OF THE CENTURY» TO NEOAVANGUARDIA: BEYOND THE REAL |
Abstract
|
|
А. В. Апыхтин, С. А. Гашков |
| |
| No 45 (2020) |
CLUSTER MODEL OF THE FORMATION OF MEANING IN J. DELEUZE’S LOGIC OF SENSE |
Abstract
|
|
N. O. Nogovitsyn |
| |
| No 30 (2016) |
THE SELF-INTEGRITY OF AUTOBIOGRAPHY (BASED ON «AN ESSAY ON MAN» OF E. CASSIRER) |
Abstract
|
|
И. О. Щедрина |
| |
| No 45 (2020) |
IDENTITY IN THE GLOBAL WORLD. ARE NEW HUMAN ASSEMBLY MODELS POSSIBLE? |
Abstract
|
|
A. V. Babaeva |
| |
| No 29 (2016) |
PHILOSOPHICAL EXPLICATION OF SADNESS, DESPAIR AND TEARS IN THE DISCOURSE OF LOVE |
Abstract
|
|
В. Э. Туренко |
| |
| No 17 (2013) |
DEHUMANIZATION OF MEDICINE |
Abstract
|
|
О. А. Шестерикова |
| |
| No 17 (2013) |
PICNOLEPTICAL AESTHETICS OF P.VIRILIO |
Abstract
|
|
Д. А. Ардамацкая |
| |
| No 44 (2020) |
THE ARTISTIC IMAGE OF ARTIFICIAL INTELLENGENCE IN CINEMA (THE MOVIE "EX MACHINA" AND THE TV SERIES "WESTWORLD") |
Abstract
|
|
T. A. Balakireva |
| |
| No 17 (2013) |
THE ANALYTICSOF SENSIBILITY AS CREATIVITY IN H. COHEN’S AESTHETICS |
Abstract
|
|
Т. А. Акиндинова |
| |
| No 44 (2020) |
MEMORY AND HISTORY OF PHILOSOPHY |
Abstract
|
|
B. G. Sokolov |
| |
| No 20 (2014) |
PERSPECTIVE: DISCOURSE CREATIVITY |
Abstract
|
|
Е. Э. Сурова |
| |
| No 44 (2020) |
PROGRESSIVE CONSERVATISM OF M. A. LIFSHITZ'S AESTHETICS |
Abstract
|
|
A. A. Ivanenko |
| |
| No 21 (2014) |
NIETZSCHE: «APERTO LIBRO» |
Abstract
|
|
Л. Б. Капустина |
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| 26 - 50 of 55 Items |
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