| Issue | Title | |
| No 53 (2022) | Spronck V. Testing the Parameters of Music: The Halberstadt Performance of John Cage’s ORGAN2/ASLSP as Experimental System | Abstract PDF (Русский) |
| A. N. Lipov | ||
| No 16 (2013) | Stanisław Brzozowski and the ends of thought | Details PDF (Русский) |
| Jacek Gutorow | ||
| No 41 (2019) | STATE REGULATION OF THE ART MARKET: AN EXAMPLE OF CHINA AND FRANCE /ГОСУДАРСТВЕННОЕ РЕГУЛИРОВАНИЕ АРТ-РЫНКА: ПРИМЕР КИТАЯ И ФРАНЦИИ | Abstract PDF (Русский) |
| В. Ю. Пашкус / V.Y. PASHKUS, М. В. Пашкус / M.V.PASHKUS, Н. А. Пашкус / N.A. PASHKUS | ||
| No 62 (2024) | Story about Zhuang-zi and His Wife, and It’s Improvement in Russia | Abstract PDF (Русский) |
| D. V. Tsvetkov | ||
| No 41 (2019) | ST.PETERSBURG ARTISTIC SELF-ORGANIZATIONS OF THE BEGINNING OF THE XXI CENTURY/ХУДОЖЕСТВЕННЫЕ САМООРГАНИЗАЦИИ САНКТ-ПЕТЕРБУРГА НАЧАЛА XXI ВЕКА | Abstract PDF (Русский) |
| О. А. Наумова / O.A. Naumova | ||
| No 30 (2016) | STRUCTURE OF RECOLLECTION | Abstract PDF (Русский) |
| К. П. Шевцов | ||
| No 41 (2019) | STRUCTURE VS GENESIS: HISTORICAL CONSCIOUSNESS IN FRANCE / СТРУКТУРА VS ГЕНЕЗИС: ИСТОРИЧЕСКОЕ СОЗНАНИЕ ВО ФРАНЦИИ | Abstract PDF (Русский) |
| Б. Г. Соколов / B.G. Sokolov | ||
| No 36 (2018) | SUBJECT AS TRAUMA AND AESTHETIC OPPORTUNITIES OF ITS OVERCOMING. ON THE MOTIVES OF «HEART OF DERKNESS» BY J.CONRAD | Abstract PDF (Русский) |
| S. B. NIKONOVA / С.Б. НИКОНОВА | ||
| No 50 (2021) | SUBSTITUTION REACTION OR FAREWELL TO THE CULTURE OF WORDS | Abstract PDF (Русский) |
| A. V. Babaeva | ||
| No 24 (2015) | SYMBOLISATION OF THE PAST: TOTAL VINTAGE | Abstract PDF (Русский) |
| Б. Г. Соколов | ||
| No 22 (2014) | SYNTHESIS OF OUR TIME | Abstract PDF (Русский) |
| А. М. Алексеев-Апраксин | ||
| No 40 (2019) | SYSTEM OF SIGNS AS SYSTEM OF THINGS: REFLECTIONS ON CONTEMPORANEITY THEME | Abstract PDF |
| А. В. Апыхтин / A. V. Apykhtyn, А.Е. ШАБАЛИНА / A. YE. SHABALINA | ||
| No 17 (2013) | TECHNOLOGIES OF INFORMATION SOCIETY: BETWEEN FUNCTIONALITY AND AESTHETICS | Abstract PDF (Русский) |
| Д. Е. Прокудин | ||
| No 33 (2017) | TECHNOROMANTISM AND CYBERGOTICS IN THE CYBERPUNK LITERATURE | Abstract PDF (Русский) |
| E. S. Shchekotova / Е. С. Щекотова | ||
| No 30 (2016) | TECHOSPECTIVE: ASPECTS OF CULTURAL MEMORY IN THE TECHNICAL MEDIA | Abstract PDF (Русский) |
| К. А. Очеретяный | ||
| No 22 (2014) | THE AESTHETICS OF THE MENTAL ENVIRONMENT | Abstract PDF (Русский) |
| Н. Н. Суворов | ||
| No 17 (2013) | THE AESTHETICS OF WAR | Abstract PDF (Русский) |
| И. Ю. Хитарова | ||
| No 55 (2023) | The Aesthetic Views of Giambattista Vico | Abstract PDF (Русский) |
| V. N. Maksimovski | ||
| No 18 (2013) | The agricultural activity of the indigenous population of the Gorno-Altai Republic (the late 1990s – the early 2010s) | Abstract PDF (Русский) |
| Э. Г. Торушев | ||
| No 54 (2022) | The Ambivalence of the Social Roles of the Italian musico | Abstract PDF (Русский) |
| S. G. Kolenko | ||
| No 17 (2013) | THE ANALYTICSOF SENSIBILITY AS CREATIVITY IN H. COHEN’S AESTHETICS | Abstract PDF (Русский) |
| Т. А. Акиндинова | ||
| No 33 (2017) | THE APOLOGY OF CHRISTIANITY IN THE FANTASTIC STORY OF F. M. DOSTOYEVSKY «THE DREAM OF THE RIDICULOUS MAN» | Abstract PDF (Русский) |
| L. A. Klukina / Л. А. Клюкина, E. N. Zolotuhina / Е. Н. Золотухина | ||
| No 26 (2015) | THE ART AT NEW RUSSIA: PLASTIC VARIATION OF EXISTENTIAL | Abstract PDF (Русский) |
| О. А. Кривцун | ||
| No 31 (2017) | THE ART OF GIULIO CLOVIO AS «MADE IN ITALY» OF RENAISSANCE AGE | Abstract PDF (Русский) |
| А. А. Troitskaya/А. А. Троицкая | ||
| No 39 (2019) | THE ART OF THE FUGUE: RISK | Abstract PDF (Русский) |
| А. М. Сергеев / A.M. Sergeev, Б. Г. Соколов / B.G. Sokolov | ||
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