| Issue | Title | |
| No 39 (2019) | EXISTENTIAL BASIS OF IDENTIFICATION: ONE'S OWN, PARTICIPATION, ACT, CONFORMITY (ON THE EXAMPLE OF ANTIQUE CULTURAL TRADITION) | Abstract PDF (Русский) |
| В. М. Воронов / В.М. Voronov | ||
| No 45 (2020) | EXPERT ACTIVITY IN THE AGE OF DIGITALIZATION: ON THE WAY TO NON-HIERARCHICAL COMMUNICATION? | Abstract PDF (Русский) |
| L. V. Shipovalova | ||
| No 35 (2018) | EXTERNALISTIC JUSTIFICATIONS OF MATHEMATICS: FROM SPHENGLER TO EDINBURG SOCIAL SCHOOL | Abstract PDF (Русский) |
| D. A. Popov / Д.А. Попов | ||
| No 46 (2020) | FACTS AND VALUES IN BIOGRAPHICAL MEMORY | Abstract PDF (Русский) |
| B. V. Markov | ||
| No 41 (2019) | FAKE: AT THE EDGE OF ART / ПОДДЕЛКА: НА КРАЯХ ИСКУССТВА | Abstract |
| А. С. Николаев / A.S. Nikolaev | ||
| No 49 (2021) | FASHION BETWEEN CULTURE AND ART - CROSSING BORDERS | Abstract PDF (Русский) |
| Yvonne Förster, A. N. Lipov(translator from German) | ||
| No 31 (2017) | FASHION FOR THEATRE THE FIRST CULTURAL START-UP COMBINING THE ITALIAN FASHION AT THE THEATRE | Abstract PDF (Русский) |
| L. Tavi/Л. Тави | ||
| No 48 (2021) | FAUST AND THE GOLEM OF PRAGUE AS TRANSNATIONAL “MEMORY PLACES” OF CENTRAL EUROPE | Abstract PDF (Русский) |
| A. I. Rezvukhina | ||
| No 23 (2015) | FAUST AS AN ARCHETYPE OF EUROPEAN CULTURE | Abstract PDF (Русский) |
| Л. Е. Артамошкина | ||
| No 51 (2022) | Favole A., Ligi G. Anthropology and the Study of Death: Beliefs, Rituals, Places, Bodies, Politics | Abstract PDF (Русский) |
| S. N. Shengeliia | ||
| No 44 (2020) | FEDERICO FELLINI AND DOUBLE-WORLD PHENOMENON: CREATING THE NARRATIVE | Abstract PDF (Русский) |
| S. N. Shengeliia | ||
| No 51 (2022) | Ferraris M. Dictated Project (Preface to the “Theory of Architectural Design. From Drawings to Effects” by A. Armando & D. Durbiano) | Abstract |
| E. D. Zakuraeva | ||
| No 55 (2023) | Ferraris M. Human, Very Human & Never All Too Human | Abstract PDF (Русский) |
| A. Glushkova, A. Katmakov | ||
| No 22 (2014) | FIGURATIVELY REPRESENTABLE ABSURD | Abstract PDF (Русский) |
| Е. Э. Сурова | ||
| No 41 (2019) | FIVE PREMISES OF PHILOSOPHY GENESIS: CHINESE SPECIFICITY / ПЯТЬ ПРЕДПОСЫЛОК ГЕНЕЗИСА ФИЛОСОФИИ: КИТАЙСКАЯ СПЕЦИФИКА | Abstract PDF (Русский) |
| Д.В. Конончук / D.V. Kononchuk | ||
| No 57 (2023) | Folk Crafts. This Is Art? | Abstract PDF (Русский) |
| I. I. Tumanov | ||
| No 25 (2015) | FOLK TALE AND CONTEMPORARY PUPPET THEATER | Abstract PDF (Русский) |
| А. Ф. Некрылова | ||
| No 14 (2012) | Fomenta podagram: медицина и поэзия во втором «Послании» Горация | Abstract PDF (Русский) |
| М. М. Позднев | ||
| No 58 (2023) | For the Anniversary of E. N. Ustyugova | Details PDF (Русский) |
| A. E. Radeev | ||
| No 62 (2024) | Foreword | Details PDF (Русский) |
| L. P. Morina | ||
| No 17 (2013) | FORM OF DATA AND FORMS OF SENSUALITY: THE PROCESSES OF CONVERSION CONCEPTUAL FIELD | Abstract PDF (Русский) |
| Борис Георгиевич Соколов | ||
| No 66 (2025) | Formaggio’s philosophy of architecture: the body as a projecting principle | Abstract PDF (Русский) |
| A. I. Glushkova | ||
| No 17 (2013) | FORMATION AND DEVELOPMENT OF HOMO AESTHETICUS. «THE LAST DAYS OF IMMANUEL KANT» BY F. COLLIN | Abstract PDF (Русский) |
| С. Б. Никонова | ||
| No 61 (2024) | Foundations of postmodernity: history of modern from Spengler to Foucault | Abstract PDF (Русский) |
| A. V. Dyakov | ||
| No 59 (2024) | From object to event: digital transformation of art and the concept of ‘digital readymade | Abstract PDF |
| E. V. Boruta, B. G. Sokolov | ||
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