| Issue | Title | |
| No 67 (2026) | Kiianlinna O. What is evolutionary Aesthetics? Three waves | Abstract |
| A. N. Lipov, O. Kiianlinna | ||
| No 65 (2025): Culture in conditions of instability, uncertainty, complexity and ambiguity | Application of the Vienna Integrated Model of topdown and bottom-up processes in art perception (VIMAP) in the aesthetic analysis of the tattoo phenomenon | Abstract |
| I. D. Repin | ||
| No 62 (2024) | Dreon R. Shared Aesthetic Starting Points? Evolutionary Aesthetics from a Cultural-Naturalistic Perspective | Abstract |
| A. N. Lipov | ||
| No 67 (2026) | The voice of speech in the digital world: aesthetic perspectives | Abstract |
| E. A. Shutova | ||
| No 58 (2023) | On a Hard Problem in Aesthetics | Abstract |
| A. E. Radeev | ||
| No 67 (2026) | Comic aesthetics in late Stalinist cinema | Abstract PDF |
| N. A. Serebrennikova | ||
| No 58 (2023) | Energy of Aesthetic Experience | Abstract |
| E. N. Ustiugova | ||
| No 58 (2023) | The Path of Aesthetics in Art (To the Anniversary of E. N. Ustyugova) | Abstract |
| S. V. Konanchuk | ||
| No 58 (2023) | Theoretical and Practical Aspects of Forming a Style and Culture of Scientific Thinking Led by E. N. Ustyugova | Abstract |
| E. V. Barkova | ||
| No 39 (2019) | THE LIMITING STATES OF THE LANGUAGE OF CONTEMPORARY ART IN THE STRUCTURES OF RAP POETRY (ON THE EXAMPLE OF THE ALBUM «GORGOROD» (OXXXYMIRON)) | Abstract |
| С. В. Кардинская / S.V. Kardinskaya | ||
| No 64 (2025): Culture sonorous. Musical Culture | Art culture in the conditions of development of artificial intelligence: music and visual art (on the example of China) | Abstract |
| Сziahao Yan | ||
| No 56 (2023) | Naukkarinen O. “Modern Aesthetics: Perspectives on Time, Space and Content” | Abstract |
| A. N. Lipov, O. Naukkarinen | ||
| No 56 (2023) | Comic in Alexey German’ Film ‘Khrustalev, the Car!’ | Abstract |
| T. A. Serebrennikova | ||
| No 62 (2024) | Aesthetics of the comic in the cinema of Roy Andersson | Abstract PDF |
| T. A. Serebrennikova | ||
| No 55 (2023) | M. Foucault and G. Agamben: Philosophy of Cynicism and the Role of the Artist in Culture | Abstract |
| A. Katmakov | ||
| No 33 (2017) | AESTHETICS OF PROJECTIVISM IN NONCLASSICAL PHILOSOPHY OF ART: ACTUAL ART PRACTICES | Abstract |
| I. M. Lisovetc / И. М. Лисовец, B. V. Orlov / Б. В. Орлов | ||
| No 60 (2024) | Neuromusic and aesthetics of attention | Abstract |
| N. A. Romanov | ||
| No 55 (2023) | The Aesthetic Views of Giambattista Vico | Abstract |
| V. N. Maksimovski | ||
| No 59 (2024) | The fusion of art and technology exploring the boundaries of new media aesthetics | Abstract |
| W. Li | ||
| No 54 (2022) | The Ambivalence of the Social Roles of the Italian musico | Abstract |
| S. G. Kolenko | ||
| No 58 (2023) | Reduction of the Transcendent As the Basis of the Imaginative Turn in Neopragmatism | Abstract |
| Yu. S. Magomedova | ||
| No 50 (2021) | ART AFTER ART OR SEARCH FOR A CONCEPT IN ART | Abstract |
| L. I. Kabanova | ||
| No 67 (2026) | The Moscow and Leningrad photo underground of the 1960s–1980s: cultural context and meanings | Abstract |
| D. M. Meleshko | ||
| No 58 (2023) | Aesthetics and Culture: Cultural Interpretation of Aesthetic Transformations in the Twentieth Century | Abstract |
| N. A. Khrenov | ||
| No 47 (2021) | HETEROGENEITY IN POST-DRAMA THEATRE | Abstract |
| Ya. V. Ustinov | ||
| 1 - 25 of 45 Items | 1 2 > >> | |
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