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| Issue |
Title |
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| No 29 (2016) |
IN HOMAGE TO XX CENTURY: FROM LENIN TO WARHOL, AND VICE VERSA |
Abstract
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А. В. Апыхтин, С. А. Гашков |
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| No 59 (2024) |
The fusion of art and technology exploring the boundaries of new media aesthetics |
Abstract
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W. Li |
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| No 58 (2023) |
Botticelli’s ‘Beauty Space’, Pop Art and the Gnostics (On the Issue of the Origins of Classical Art) |
Abstract
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A. V. Rykov |
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| No 59 (2024) |
From object to event: digital transformation of art and the concept of ‘digital readymade |
Abstract
PDF
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|
E. V. Boruta, B. G. Sokolov |
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| No 39 (2019) |
ART AS A PARADIGM: A CRITICAL READING OF ART’S END IN F. NIETZSCHE |
Abstract
PDF
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Лоренцо Кальцетта / Lorenzo Calzetta |
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| No 33 (2017) |
AESTHETICS OF PROJECTIVISM IN NONCLASSICAL PHILOSOPHY OF ART: ACTUAL ART PRACTICES |
Abstract
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I. M. Lisovetc / И. М. Лисовец, B. V. Orlov / Б. В. Орлов |
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| No 33 (2017) |
AESTHETIC DISTANCE AND CONTEMPORARY THEATRE PROCESS: INSTITUTIONAL ANALYSIS |
Abstract
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S. A. Dzikevich / С. А. Дзикевич, E. A. Dzikevich / Е. А. Дзикевич |
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| No 34 (2017) |
TRANSFORMATION OF THE OBJECT: FROM VANGUARD TO ACTUAL ART (on the example of the concept of E. Grotowski «poor theater») |
Abstract
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Y. М. Maltseva/Ю.М. Мальцева |
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| No 56 (2023) |
Review of Research on the Influence of Russian Fine Art on the Development of Traditional Art of Northeast China in the XX Century |
Abstract
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Xiangxue Meng |
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| No 33 (2017) |
ИСЧЕЗАЮЩАЯ ВЕЩЬ В ИСКУССТВЕ: ВЛИЯНИЕ ИНФОРМАЦИОННОЙ КУЛЬТУРЫ НА СОВРЕМЕННУЮ ХУДОЖЕСТВЕННУЮ ПРАКТИКУ |
Abstract
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Y. M. Maltseva Ю.М. Мальцева |
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| No 39 (2019) |
SOUND AS THING: TO HEAR – TO SEE – TO EXPERIENCE |
Abstract
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Л. П. Морина / L.P. Morina, И. Б. Хмырова-Пруель / I.B. Khmyrova-Pruel |
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| No 26 (2015) |
THE ART AT NEW RUSSIA: PLASTIC VARIATION OF EXISTENTIAL |
Abstract
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О. А. Кривцун |
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| No 31 (2017) |
THE HEROISM OF THE LAUGHTER CARNIVALISM OF THE HEROIC. |
Abstract
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L. krishevskaya/Л. Кришевская |
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| No 26 (2015) |
CULTURAL MONUMENT IN THE SPECTRUM OF INTERPRETATIONS |
Abstract
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Н. Н. Суворов |
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| No 49 (2021) |
FASHION BETWEEN CULTURE AND ART - CROSSING BORDERS |
Abstract
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Yvonne Förster, A. N. Lipov(translator from German) |
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| No 60 (2024) |
The sounding world |
Abstract
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V. S. Zvarieyhuk |
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| No 34 (2017) |
RELIGIOUS AND SECULAR ART – THE GENERAL AND VARIOUS |
Abstract
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I. B. Hmyrova-Pruel / И. Б. Хмырова-Пруель |
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| No 56 (2023) |
Problem of transformation of the meanings in the large language models |
Abstract
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M. A. Popov |
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| No 32 (2017) |
ONTOLOGY OF THINGS: PRELIMINARY REFLECTIONS |
Abstract
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L. P. Morina/Л. П. Морина |
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| No 34 (2017) |
PROBLEN OF THE CREATIVITY IN NEO-SANNYAS CULTURE |
Abstract
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А. S. Sirgiia / А. С. Сиргия |
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| No 55 (2023) |
M. Foucault and G. Agamben: Philosophy of Cynicism and the Role of the Artist in Culture |
Abstract
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A. Katmakov |
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| No 54 (2022) |
Russian Philosophy of Music and the Experience of Phenomenological Perception: Synesthesia and Psychodelia |
Abstract
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E. V. Boruta |
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| No 59 (2024) |
Creation of 3D models of cultural artifacts: prospects and problems |
Abstract
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M. S. Lyutaeva |
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| No 33 (2017) |
PARADIGMATICS OF OBJECTIFICATION OF THE ART TEXT IN CULTURE (THE AGE OF ENLIGHTENMENT. GIFTING GESTURE) |
Abstract
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A. N. Koloskov / А. Н. Колосков |
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| No 54 (2022) |
Magic Opera-Ballet “Mlada” by N. A. Rimsky-Korsakov. Experience of Analysis in the Context of Communicative Theory |
Abstract
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M. S. Lyutaeva |
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