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| Issue |
Title |
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| No 39 (2019) |
COMMUNICATION TECHNOLOGIES IN THE DEVELOPMENT OF MODERN ORGANIZATIONS OF THE SPHERE OF CULTURE |
Abstract
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А. В. Пряхина / А.V. Pryakhina |
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| No 41 (2019) |
A ROLE OF ARTISTIC ADVANCE-GUARD IS IN A WORLD CULTURE. PROBLEMS OF TEACHING IN THE COURSE OF CULTURAL STUDIES |
Abstract
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M. M. Simonova, L. I. NAKHOVA, S. A. BUTYRINA |
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| No 18 (2013) |
The influence of globalization processes on the Mongolian traditional culture |
Abstract
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Ж. Долгорсурэн |
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| No 25 (2015) |
THE ITALIAN ACCENT RUSSIAN MUSICAL CULTURE OF A XVIII CENTURY (HISTORICAL DIGRESSION) |
Abstract
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И. Б. Хмырова-Пруель |
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| No 31 (2017) |
THE POLITICAL ANECDOTE IN THE CONTEXT OF LATE SOVIET CULTURE |
Abstract
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А. А. Kirzyuk/ A. A. Кирзюк |
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| No 39 (2019) |
SOUND AS THING: TO HEAR – TO SEE – TO EXPERIENCE |
Abstract
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Л. П. Морина / L.P. Morina, И. Б. Хмырова-Пруель / I.B. Khmyrova-Pruel |
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| No 32 (2017) |
TRANSFORMATION OF THE PHENOMENON OF BEING A FOOL FOR GOD’S SAKE IN RUSSIAN CULTURE: DISPLACEMENT FROM PUBLIC PRACTICE AND REACTUALIZATION IN LITERATURE |
Abstract
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I. P. Busurkina/ И. П. Бусуркина |
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| No 25 (2015) |
ANALYSIS OF CULTURAL DIMENSION LOCATED INTO THE INTERVIEW OF DOLCE&GABBANA INTITLED “ITALO-SICILIAN-NESS” |
Abstract
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Э. Натале |
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| No 30 (2016) |
TRADITIONAL OUTLOOK ABOUT THE THING AND MODERN JAPAN |
Abstract
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С. М. Карымова |
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| No 26 (2015) |
AESTHETIC VALUES IN CONTEMPORARY ART: THE CLASSICAL AND THE POST-NONCLASSICAL |
Abstract
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Л. А. Закс |
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| No 33 (2017) |
TECHNOROMANTISM AND CYBERGOTICS IN THE CYBERPUNK LITERATURE |
Abstract
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E. S. Shchekotova / Е. С. Щекотова |
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| No 30 (2016) |
ANATOMY OF TRADITION |
Abstract
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А. И. Бродский |
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| No 36 (2018) |
PERCEPTION OF SPACE AND TIME IN CULTURE DURING THE MEDIEVAL ERA |
Abstract
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Y. I. MILEKHINA / Ю.И. МИЛЁХИНА |
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| No 25 (2015) |
REPRESENTATION OF THE WEDDING IN SOVIET PAINTING OF 1960–1970: CULTURAL VIEWPOINT |
Abstract
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А. В. Смирнов |
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| No 39 (2019) |
MODES OF REPRESENTATION AND MANIFESTATION OF THE MINISTRY OF CULTURE OF UKRAINE IN UKRNET |
Abstract
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О. В. Добродум / O.V. Dobrodum |
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| No 39 (2019) |
POSSIBLE ORGANIZATIONS: WHY ARE THERE SO FEW FORMS OF POSSIBLE ORGANIZATION OF COMMUNITIES |
Abstract
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С. В. Борзых / S.V. Borzykh |
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| No 29 (2016) |
ETHICS AND IDEOLOGY IN RUSSIAN CULTURE AT THE TURN OF XIX–XX CENTURIES |
Abstract
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Е. А. Овчинникова |
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| No 31 (2017) |
«MADE IN ITALY» IN ITALIAN UNIVERSITIES |
Abstract
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F. Papa/Ф. Папа |
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| No 17 (2013) |
TECHNOLOGIES OF INFORMATION SOCIETY: BETWEEN FUNCTIONALITY AND AESTHETICS |
Abstract
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Д. Е. Прокудин |
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| No 38 (2018) |
THE SOCIETY OF THE SPECTACLE. HONORE DAUMIER’S «DRAMA» |
Abstract
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А. В. Рыков \ A.V. Rykov |
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| No 34 (2017) |
RELIGIOUS AND SECULAR ART – THE GENERAL AND VARIOUS |
Abstract
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I. B. Hmyrova-Pruel / И. Б. Хмырова-Пруель |
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| No 34 (2017) |
CULTURAL AND POLITICAL CHARACTERISTICS OF THE REPUBLIC OF YEMEN |
Abstract
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М. Н. Mukbil / М. Х. Мукбиль |
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| No 38 (2018) |
CLUSTER AS A FORM OF TEXT ORGANIZATION – PRODUCTION AS A FORMATION OF TEXTUAL |
Abstract
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А. В. Апыхтин / A. V. Apykhtyn, Н. О. Ноговицын / N. O. Nogovitsyn |
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| No 33 (2017) |
THE PHENOMENON OF THE MODERN THINGS: THE STARTING POSITION OF ANALYSIS |
Abstract
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B. G. Sokolov / Б. Г. Соколов, A. E. Shabalina / А. Е. Шабалина |
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| No 30 (2016) |
METAPHOROLOGY AND TOPOLOGY OF GEOBIOGRAPHY |
Abstract
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Л. Ю. Яковлева |
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