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| Issue |
Title |
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| No 34 (2017) |
WHY BE A PHOTOGRAPHIC IMAGE? |
Abstract
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YA. Toister /Я . Тойстер |
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| No 57 (2023) |
Monological and dialogic discourse as two typological types of text realized in Tolstoy's works (‘War and Peace’, ‘Anna Karenina’) |
Abstract
|
|
A. G. Kovalenko, L. N. Lumpova |
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| No 56 (2023) |
Problem of transformation of the meanings in the large language models |
Abstract
|
|
M. A. Popov |
| |
| No 53 (2022) |
Bergman's Dialogues: Strindberg, Munch and the medieval frescoes |
Abstract
|
|
E. A. Shikulya |
| |
| No 53 (2022) |
Latif Kerimov as carpet and tapestry artists |
Abstract
|
|
F. A. Mir-Bagirzade |
| |
| No 52 (2022) |
The Tragedy by J.W. Goethe “Faust”: From Image to Symbol |
Abstract
|
|
N. P. Makarova |
| |
| No 52 (2022) |
Cultural Code of Russian Culture: A. S. Pushkin’s Image in the Formation of “Places of Memory” |
Abstract
|
|
V. A. Kirshin |
| |
| No 49 (2021) |
OBJECTIFICATION OF THE FEMALE IMAGE IN ADVERTISING |
Abstract
|
|
S. V. Kostrova |
| |
| No 62 (2024) |
Jazz Musicians in Vugar Ali ’ Paintings |
Abstract
|
|
F. Mir-Bagirzadeh |
| |
| No 34 (2017) |
PERFORMING THE MATERIAL… WHEN IMAGES ALREADY EXIST |
Abstract
|
|
M. Radtke / М. Радтке |
| |
| No 33 (2017) |
HUMOR IN THE POLITICAL SPACE: TO THE PROBLEM |
Abstract
|
|
E. V. Derzhvitsky / Е. В. Держивицкий, M. V. Gracheva / М. В. Грачева |
| |
| No 30 (2016) |
ANALYTIX OF IMAGE IN TRILOGY OF K. KIESLOVSKI «THREE COLOURS» |
Abstract
|
|
М. Н. Могилевич, Т. А. Балакирева |
| |
| No 25 (2015) |
NIETZSCHE`S IMAGE IN RUSSIAN CULTURE |
Abstract
|
|
Л. Е. Артамошкина |
| |
| No 17 (2013) |
MONTAGE-THING-IMAGE: THE HOMO AESTHETICUS «HERMENEUTICS» |
Abstract
|
|
Надежда Васильевна Голик, В. Б. Малышев |
| |
| No 22 (2014) |
FIGURATIVELY REPRESENTABLE ABSURD |
Abstract
|
|
Е. Э. Сурова |
| |
| No 22 (2014) |
ETHICAL AND AESTHETIC PROBLEMS OF MODERN URBANISTICS |
Abstract
|
|
Е. Н. Устюгова |
| |
| No 23 (2015) |
TO BE IN YOUR OWN COMPANY — IT IS SO BORING, IT IS SO SCARY |
Abstract
|
|
Е. Вульф |
| |
| No 44 (2020) |
PUPPET ART OF AZERBAIJANI MASTERS AND SYMBOLIC CONTENTS IN THEM WORKS |
Abstract
|
|
F. Mir-Bagirzadeh |
| |
| No 23 (2015) |
FAUST AS AN ARCHETYPE OF EUROPEAN CULTURE |
Abstract
|
|
Л. Е. Артамошкина |
| |
| No 45 (2020) |
"THE CITY IS A FRIGHTFUL FORCE". REPRESENTATION OF URBAN SPACE IN THE FILM "BRAT" DIRECTED BY A.O. BALABANOV |
Abstract
|
|
E. D. Zakuraeva |
| |
| No 23 (2015) |
CORPORALITY OF PHOTOGRAPHY — CORPORALITY WITH NULL DENOTATION |
Abstract
|
|
К. А. Очеретяный |
| |
| No 23 (2015) |
IMAGE OF SIN IN THE CINEMA OF KRZYSZTOF KIESLOWSKI |
Abstract
|
|
М. Н. Могилевич |
| |
| No 24 (2015) |
IMAGES OF ST. PETERSBURG IN THE XVIII–XIX CENTURIES |
Abstract
|
|
Р. Ю. Богданова |
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