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| Issue |
Title |
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| No 49 (2021) |
INDIVIDUAL DISCURSIVE MEMORY PRACTICES: EXPERIENCE OF A FAMILY HISTORICAL RESEARCH |
Abstract
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O. N. Beller, E. O. Negrov |
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| No 30 (2016) |
ANALYTICAL REVIEW OF ITALIAN CONTEMPORARY MEMORY CONCEPTIONS |
Abstract
|
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Ж. В. Николаева |
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| No 48 (2021) |
TIME TRAVEL: GAMIFICATED EXCURSION AS A METHOD OF CULTURAL MEMORY TRANSMISSION |
Abstract
|
|
A. I. Rezvukhina (Jr.) |
| |
| No 48 (2021) |
FAUST AND THE GOLEM OF PRAGUE AS TRANSNATIONAL “MEMORY PLACES” OF CENTRAL EUROPE |
Abstract
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A. I. Rezvukhina |
| |
| No 50 (2021) |
LAOZI AND PROJECTIVE MEMORY IN LATE TOLSTOY'S SELF-REPRESENTATION |
Abstract
|
|
K. V. Azarov |
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| No 38 (2018) |
THE OUTCOMES OF PROJECT «THE MEMORY OF GENERATIONS IN A CRISIS OF HISTORICAL CONSCIOUSNESS» |
Abstract
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А. И. Резвухина (МЛ.) / A.I. Rezvukhina (JR.) |
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| No 46 (2020) |
DARK TOURISM AND SITES OF SELECTIVE SILENCE – COMMUNICATION ON HOLOCAUST AND ITS MEMORIAL PLACES IN LATVIA |
Abstract
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Solveiga Krumina-Konkova |
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| No 46 (2020) |
MEMORY OF ANTI-FASCISM. THE ITALIAN CASE. PIERO GOBETTI'S BOOKS AND EDITIONS |
Abstract
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|
Bartolo Gariglio |
| |
| No 46 (2020) |
CITY LANDSCAPES, MEMORY AND ART: BETWEEN CURATORIAL EXPERIENCE AND BIOGRAPHIES OF WITNESSES |
Abstract
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S. A. Podusenko |
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| No 40 (2019) |
УСТНАЯ ИСТОРИЯ И ПРОБЛЕМА «ДОСТУПА» К ТРАВМАТИЧЕСКОМУ ОПЫТУ |
Abstract
PDF
|
|
Н.А. АРТEМЕНКО / N.A. ARTEMENKO |
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| No 46 (2020) |
THE CRISIS OF MONUMENTS: TURN FROM "HISTORY FOR ALL" TO A PERSON (ON THE EXAMPLE OF MONUMENTS IN PRAGUE) |
Abstract
|
|
A. I. Rezvukhina |
| |
| No 46 (2020) |
INVENTION OF THE PAST: LANDSCAPE AS A WAY OF IDENTITY CONSTRUCTING |
Abstract
|
|
A. I. Rezvukhina (Jr.) |
| |
| No 30 (2016) |
CONSTRUCTION OF THE MEMORY AS A CULTURAL AND POLITICAL PROJECT |
Abstract
|
|
В. В. Беляев |
| |
| No 39 (2019) |
GAMES WITH А «PRA-LOGICAL» |
Abstract
|
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Л. И. Кабанова / L.I. Kabanova |
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| No 37 (2018) |
THE PROJECT «TERMINOLOGICAL APPARATUS AND METHODOLOGY FOR THE STUDY OF CULTURAL EXCLUSION ZONES». RESULTS OF THE STUDY |
Abstract
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И. Ю. Пешперова / I.YU. Peshperova |
| |
| No 52 (2022) |
Cultural Code of Russian Culture: A. S. Pushkin’s Image in the Formation of “Places of Memory” |
Abstract
|
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V. A. Kirshin |
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| No 52 (2022) |
The Code Like Dementia of Memory and Effort To Be |
Abstract
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B. G. Sokolov |
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| No 51 (2022) |
Ferraris M. Dictated Project (Preface to the “Theory of Architectural Design. From Drawings to Effects” by A. Armando & D. Durbiano) |
Abstract
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E. D. Zakuraeva |
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| No 46 (2020) |
REWRITING BIOGRAPHY AS A FORM OF CONSTRUCTION AND TRANSFORMATION OF CULTURAL MEMORY IN MODERN LITERARY CRITIC |
Abstract
|
|
Yu. A. Govorukhina |
| |
| No 47 (2021) |
ARCHITECTURE OF POST-MEMORY |
Abstract
|
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B. G. Sokolov |
| |
| No 46 (2020) |
THE CROSSING OF THE FATES OF THE PROVINCIAL ARCHITECT AND THE CULTURAL HERITAGE OF POLTAVA IN THE 1930-1980S |
Abstract
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|
V. L. Vaingort |
| |
| No 46 (2020) |
«PARTICIPATIVENESS» OF PERSONAL HISTORICAL MEMORY IN DIALOGIC COMMUNICATION AND IN UNIVERSAL EDUCATIONAL MODEL |
Abstract
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I. V. Sazina |
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| No 46 (2020) |
WEB NARRATIVE OF DIGITAL MODERNISM: RESOURCES FOR PRESERVING CULTURAL MEMORY |
Abstract
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L. E. Artamoshkina, D. E. Prokudin |
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| No 36 (2018) |
TIME, MEMORY, TRAUMA: BETWEEN BEING AND NON-BEING |
Abstract
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N. A. ARTEMENKO / Н.А. АРТЁМЕНКО |
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| No 46 (2020) |
FACTS AND VALUES IN BIOGRAPHICAL MEMORY |
Abstract
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B. V. Markov |
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