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| Issue |
Title |
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| No 25 (2015) |
THE ITALIAN ACCENT RUSSIAN MUSICAL CULTURE OF A XVIII CENTURY (HISTORICAL DIGRESSION) |
Abstract
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|
И. Б. Хмырова-Пруель |
| |
| No 36 (2018) |
SOCIAL TRANSGRESSION REFLECTION IN THE CONTEMPORARY ROCK MUSIC OF ISLAMIC REGIONS |
Abstract
|
|
А. Е. VYKHOVANETS / А.Е. ВЫХОВАНЕЦ, O. K. MIKHELSON / О. К. МИХЕЛЬСОН |
| |
| No 39 (2019) |
SOUND AS THING: TO HEAR – TO SEE – TO EXPERIENCE |
Abstract
|
|
Л. П. Морина / L.P. Morina, И. Б. Хмырова-Пруель / I.B. Khmyrova-Pruel |
| |
| No 35 (2018) |
ROMANTICISM ERA - SOME FEATURES OF GERMAN MUSICAL BIEDERMEIER |
Abstract
|
|
I. B. Hmyrova-Pruel / И. Б. Хмырова-Пруель, E. M. Sakseeva/ Е.М. Саксеева |
| |
| No 36 (2018) |
SACRED MUSIC TO OPERA: THE LANGUAGE OF SILENCE, OR THE SILENCE OF LANGUAGE? |
Abstract
|
|
A. K. NOVIKOVA / А.К. НОВИКОВА |
| |
| No 29 (2016) |
THE PROBLEM OF INTERPRETATION OF MUSIC IN THE CONTEXT OF PHILOSOPHICAL ANALYSIS (HERMENEUTICS-AXIOLOGICALAPPROACH) |
Abstract
|
|
Е. А. Капичина |
| |
| No 17 (2013) |
PHILOSOPHICAL UNDERSTANDING OF MUSIC IN THE CONTEXT OF AESTHETIC THEORY SUSANNE LANGER |
Abstract
|
|
А. Н. Тормахова |
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| No 17 (2013) |
FORMATION AND DEVELOPMENT OF HOMO AESTHETICUS. «THE LAST DAYS OF IMMANUEL KANT» BY F. COLLIN |
Abstract
|
|
С. Б. Никонова |
| |
| No 20 (2014) |
MUSIC PEDAGOGICS AS A SPACE TRANSCULTURAL MUSICAL MEDIATION |
Abstract
|
|
Р. Р. Касимова |
| |
| No 24 (2015) |
HOMO AESTHETICUS IN THE AESTHETICS OF FORMALISM |
Abstract
|
|
Т. А. Акиндинова |
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