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| Issue |
Title |
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| No 54 (2022) |
The Current State and Development Trends of Music Education in China |
Abstract
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H. Feng, V. Zheleznyak |
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| No 54 (2022) |
Music and Language: Thinking–Perception–Practice |
Abstract
|
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G. K. Zhukova, M. Yu. Zhukova |
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| No 60 (2024) |
Heavy Metal Music research area |
Abstract
|
|
D. E. Prokudin |
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| No 57 (2023) |
Semiotics of Digitalization in Music |
Abstract
|
|
S. T. Makhlina |
| |
| No 36 (2018) |
SOCIAL TRANSGRESSION REFLECTION IN THE CONTEMPORARY ROCK MUSIC OF ISLAMIC REGIONS |
Abstract
|
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А. Е. VYKHOVANETS / А.Е. ВЫХОВАНЕЦ, O. K. MIKHELSON / О. К. МИХЕЛЬСОН |
| |
| No 60 (2024) |
Communicaton space of amateur chorus and authoritarianism of musical craft |
Abstract
|
|
V. V. Prudyak |
| |
| No 25 (2015) |
THE ITALIAN ACCENT RUSSIAN MUSICAL CULTURE OF A XVIII CENTURY (HISTORICAL DIGRESSION) |
Abstract
|
|
И. Б. Хмырова-Пруель |
| |
| No 60 (2024) |
Simply about music. Emotions in music (invitation to conversation) |
Abstract
|
|
I. B. Hmyrova-Pruel |
| |
| No 54 (2022) |
The Internet as a Special Sphere of Existence of a Modern Classical Music Performer |
Abstract
|
|
K. S. Bakirova |
| |
| No 60 (2024) |
Evolution of musical culture and its role in the world of electricity |
Abstract
|
|
S. A. Pervov |
| |
| No 60 (2024) |
The modern concept of sound in the light of immanent metaphysics in dialogue with musicological traditions |
Abstract
|
|
E. V. Pridanova |
| |
| No 39 (2019) |
SOUND AS THING: TO HEAR – TO SEE – TO EXPERIENCE |
Abstract
|
|
Л. П. Морина / L.P. Morina, И. Б. Хмырова-Пруель / I.B. Khmyrova-Pruel |
| |
| No 60 (2024) |
Neuromusic and aesthetics of attention |
Abstract
|
|
N. A. Romanov |
| |
| No 49 (2021) |
KANT LOVED MUSIC? AESTHETIC JUDGMENTS OF THE EDGING AND PROBLEM OF MODERN MUSIC |
Abstract
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|
I. B. Hmyrova-Pruel |
| |
| No 60 (2024) |
The sounding world |
Abstract
|
|
V. S. Zvarieyhuk |
| |
| No 62 (2024) |
The Lyrics of the Poets of the Silver Age in Soviet Popular Culture |
Abstract
|
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A. Kh. Imkhasina |
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| No 62 (2024) |
Jazz Musicians in Vugar Ali ’ Paintings |
Abstract
|
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F. Mir-Bagirzadeh |
| |
| No 60 (2024) |
Musical elements in the mysteries of the Altai shaman and Kam: semiotic and phenomenological analysis in the context of European musical culture |
Abstract
|
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D. A. Yarochkin |
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| No 54 (2022) |
Lost and Found Musical Genres, Forms and Images as the Legacy of the Great Composer Eduard Nikolaevich Artemiev |
Abstract
|
|
I. I. Plotnikov |
| |
| No 54 (2022) |
Russian Philosophy of Music and the Experience of Phenomenological Perception: Synesthesia and Psychodelia |
Abstract
|
|
E. V. Boruta |
| |
| No 60 (2024) |
Evolution of understanding of musical time and essence of the concept “musical temporalnost” |
Abstract
|
|
S. V. Nikishina |
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| No 54 (2022) |
Evolution of Metal Groups: between Creativity and Commerce |
Abstract
|
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D. E. Prokudin |
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| No 53 (2022) |
Spronck V. Testing the Parameters of Music: The Halberstadt Performance of John Cage’s ORGAN2/ASLSP as Experimental System |
Abstract
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|
A. N. Lipov |
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| No 53 (2022) |
Late soviet religious consciousness in the poetry of Ilya Kormiltsev |
Abstract
|
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D. A. Budaev |
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| No 36 (2018) |
SACRED MUSIC TO OPERA: THE LANGUAGE OF SILENCE, OR THE SILENCE OF LANGUAGE? |
Abstract
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A. K. NOVIKOVA / А.К. НОВИКОВА |
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