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Issue Title
 
No 54 (2022) The Current State and Development Trends of Music Education in China Abstract
H. Feng, V. Zheleznyak
 
No 54 (2022) Music and Language: Thinking–Perception–Practice Abstract
G. K. Zhukova, M. Yu. Zhukova
 
No 57 (2023) Semiotics of Digitalization in Music Abstract
S. T. Makhlina
 
No 36 (2018) SOCIAL TRANSGRESSION REFLECTION IN THE CONTEMPORARY ROCK MUSIC OF ISLAMIC REGIONS Abstract
А. Е. VYKHOVANETS / А.Е. ВЫХОВАНЕЦ, O. K. MIKHELSON / О. К. МИХЕЛЬСОН
 
No 25 (2015) THE ITALIAN ACCENT RUSSIAN MUSICAL CULTURE OF A XVIII CENTURY (HISTORICAL DIGRESSION) Abstract
И. Б. Хмырова-Пруель
 
No 54 (2022) The Internet as a Special Sphere of Existence of a Modern Classical Music Performer Abstract
K. S. Bakirova
 
No 39 (2019) SOUND AS THING: TO HEAR – TO SEE – TO EXPERIENCE Abstract
Л. П. Морина / L.P. Morina, И. Б. Хмырова-Пруель / I.B. Khmyrova-Pruel
 
No 49 (2021) KANT LOVED MUSIC? AESTHETIC JUDGMENTS OF THE EDGING AND PROBLEM OF MODERN MUSIC Abstract
I. B. Hmyrova-Pruel
 
No 54 (2022) Lost and Found Musical Genres, Forms and Images as the Legacy of the Great Composer Eduard Nikolaevich Artemiev Abstract
I. I. Plotnikov
 
No 54 (2022) Russian Philosophy of Music and the Experience of Phenomenological Perception: Synesthesia and Psychodelia Abstract
E. V. Boruta
 
No 54 (2022) Evolution of Metal Groups: between Creativity and Commerce Abstract
D. E. Prokudin
 
No 53 (2022) Spronck V. Testing the Parameters of Music: The Halberstadt Performance of John Cage’s ORGAN2/ASLSP as Experimental System Abstract
A. N. Lipov
 
No 53 (2022) Late soviet religious consciousness in the poetry of Ilya Kormiltsev Abstract
D. A. Budaev
 
No 36 (2018) SACRED MUSIC TO OPERA: THE LANGUAGE OF SILENCE, OR THE SILENCE OF LANGUAGE? Abstract
A. K. NOVIKOVA / А.К. НОВИКОВА
 
No 35 (2018) ROMANTICISM ERA - SOME FEATURES OF GERMAN MUSICAL BIEDERMEIER Abstract
I. B. Hmyrova-Pruel / И. Б. Хмырова-Пруель, E. M. Sakseeva/ Е.М. Саксеева
 
No 29 (2016) THE PROBLEM OF INTERPRETATION OF MUSIC IN THE CONTEXT OF PHILOSOPHICAL ANALYSIS (HERMENEUTICS-AXIOLOGICALAPPROACH) Abstract
Е. А. Капичина
 
No 17 (2013) PHILOSOPHICAL UNDERSTANDING OF MUSIC IN THE CONTEXT OF AESTHETIC THEORY SUSANNE LANGER Abstract
А. Н. Тормахова
 
No 17 (2013) FORMATION AND DEVELOPMENT OF HOMO AESTHETICUS. «THE LAST DAYS OF IMMANUEL KANT» BY F. COLLIN Abstract
С. Б. Никонова
 
No 20 (2014) MUSIC PEDAGOGICS AS A SPACE TRANSCULTURAL MUSICAL MEDIATION Abstract
Р. Р. Касимова
 
No 24 (2015) HOMO AESTHETICUS IN THE AESTHETICS OF FORMALISM Abstract
Т. А. Акиндинова
 
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