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| Issue |
Title |
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| No 66 (2025) |
F.V.J. Schelling and A.G. Gabrichevsky: reception of the heritage of German classical philosophy in soviet art criticism of the 1920s |
Abstract
|
|
K. I. Arkhipov, A. V. Gorobtsova |
| |
| No 37 (2018) |
THE DESTINY OF BODY IN DIGITAL AGE |
Abstract
|
|
K. А. Очеретяный / K.A. Ocheretyany |
| |
| No 66 (2025) |
The creative heritage of Nasir ad-Din Tusi: Treatise |
Abstract
|
|
S. A. Mir-Bagirzade |
| |
| No 60 (2024) |
Cinema as synthesis of arts: person, space and time |
Abstract
|
|
Ya. R. Ivlev |
| |
| No 60 (2024) |
The modern concept of sound in the light of immanent metaphysics in dialogue with musicological traditions |
Abstract
|
|
E. V. Pridanova |
| |
| No 57 (2023) |
Modern Drama: the Search for Ontological Issues |
Abstract
|
|
E. A. Shutova |
| |
| No 37 (2018) |
G. LUKÁCS: THE HISTORY OF LIFE IN THE SPACE OF ONTOLOGY |
Abstract
|
|
А. С. Лагурев / A.S. Lagurev |
| |
| No 31 (2017) |
BASIS OF CLASSIFICATION OF GEOGRAPHICAL BORDERS: ONTOLOGY OF GEOGRAPHY AND CULTURAL DIVERSITY |
Abstract
|
|
T. Tambassi/Т. Тамбасси, translation/перевод А. Noskov/А. Носков |
| |
| No 24 (2015) |
RESEMBLING PHOTOGRAPHY, OR HOW TO RECOGNIZE A PHOTOGRAPHIC IMAGE |
Abstract
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|
Ф. Тетьен |
| |
| No 24 (2015) |
SYMBOLISATION OF THE PAST: TOTAL VINTAGE |
Abstract
|
|
Б. Г. Соколов |
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