| |
| Issue |
Title |
| |
| No 37 (2018) |
THE THING AS A MIRROR OF THE PERSON |
Abstract
|
|
Л. П. Морина / L.P. Morina |
| |
| No 36 (2018) |
SUBJECT AS TRAUMA AND AESTHETIC OPPORTUNITIES OF ITS OVERCOMING. ON THE MOTIVES OF «HEART OF DERKNESS» BY J.CONRAD |
Abstract
|
|
S. B. NIKONOVA / С.Б. НИКОНОВА |
| |
| No 32 (2017) |
ONTOLOGY OF THINGS: PRELIMINARY REFLECTIONS |
Abstract
|
|
L. P. Morina/Л. П. Морина |
| |
| No 56 (2023) |
Alienation and Subject: Michel Foucault and Marcel Gauchet |
Abstract
|
|
V. E. Kukel |
| |
| No 40 (2019) |
ETHICS AND THE TRAUMATIC EXPERIENCE OF NIHILISM |
Abstract
PDF
|
|
А.М. СИДОРОВ / A. SIDOROV |
| |
| No 33 (2017) |
M.S.KAGAN’S «MORPHOLOGY OF ART» AS AN OPEN SYSTEM |
Abstract
|
|
E. N. Ustiugova / Е. Н. Устюгова |
| |
| No 31 (2017) |
CATALEPTIC CONSCIOUSNESS. LANGUAGE AS A FIGURE OF SILENCE |
Abstract
|
|
N. А. Artemenko/Н. А. Артёменко |
| |
| No 26 (2015) |
DISCURSIVE PSYCHOLOGY: THE TRANSFORMATION OF IDEAS WITHIN THE DISCOURSE ANALYTICAL RESEARCH |
Abstract
|
|
Л. П. Морина |
| |
| No 46 (2020) |
SELF-CARE AS CARING FOR ANOTHER IN A SOCIO-POLITICAL CONTEXT |
Abstract
|
|
N. N. Strashnik |
| |
| No 26 (2015) |
ABOUT "HISTORICAL" AND "ONTOLOGICAL" SENSES OF THE CORRELATION OF AUTHENTICITY AND IMITATION |
Abstract
|
|
Е. Н. Устюгова |
| |
| No 36 (2018) |
SACRED MUSIC TO OPERA: THE LANGUAGE OF SILENCE, OR THE SILENCE OF LANGUAGE? |
Abstract
|
|
A. K. NOVIKOVA / А.К. НОВИКОВА |
| |
| No 44 (2020) |
THE CONCEPT OF TIME IN THE CONTEXT OF THE DIVERSITY OF HISTORICAL PROCESS |
Abstract
|
|
Y. G. Poletaeva |
| |
| No 17 (2013) |
THE ANALYTICSOF SENSIBILITY AS CREATIVITY IN H. COHEN’S AESTHETICS |
Abstract
|
|
Т. А. Акиндинова |
| |
| No 45 (2020) |
PERSONAL IDENTITY IN DIGITAL AGE: THE LOSS OF PRIVACY, THE LIMITS OF RESPONSIBILITY |
Abstract
|
|
E. O. Trufanova |
| |
| No 21 (2014) |
HOMO AЕSTHETICUS IN THE CONTEXT OF AXIOLOGY IN THE FREIBURG SCHOOL OF NEOKANTIANISM: BRODER CHRISTIANSEN |
Abstract
|
|
Т. А. Акиндинова |
| |
| 1 - 15 of 15 Items |
|
