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| Issue |
Title |
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| No 52 (2022) |
The Tragedy by J.W. Goethe “Faust”: From Image to Symbol |
Abstract
|
|
N. P. Makarova |
| |
| No 46 (2020) |
«PARTICIPATIVENESS» OF PERSONAL HISTORICAL MEMORY IN DIALOGIC COMMUNICATION AND IN UNIVERSAL EDUCATIONAL MODEL |
Abstract
|
|
I. V. Sazina |
| |
| No 48 (2021) |
CODES IN AZERBAIJANI CARPETS |
Abstract
|
|
F. Mir-Bagirzadeh |
| |
| No 37 (2018) |
THE THING AS A MIRROR OF THE PERSON |
Abstract
|
|
Л. П. Морина / L.P. Morina |
| |
| No 34 (2017) |
MEDIALITY OF CARTOGRAPHY |
Abstract
|
|
L. I. Iakovleva / Л. Ю. Яковлева |
| |
| No 32 (2017) |
DISCOURSE OF IDENTITY AND THE PHENOMENON OF CULTURAL BORDERLANDS: A SYMBOLIC DIMENSION OF THE NEWEST MYTH |
Abstract
|
|
P. V. Kretov/П. В. Кретов, O. I. Kretova/ Е. И. Кретова |
| |
| No 58 (2023) |
Aesthetics and Culture: Cultural Interpretation of Aesthetic Transformations in the Twentieth Century |
Abstract
|
|
N. A. Khrenov |
| |
| No 50 (2021) |
RECTUALIZATION OF THE SYMBOL: SEARCH FOR METHODOLOGY |
Abstract
|
|
L. P. Morina |
| |
| No 47 (2021) |
KARABAKH HORSES IN THE CARPETS OF ELDAR HAJIYEV AND IN THE PAINTINGS OF ARTISTS |
Abstract
|
|
F. Mir-Bagirzadeh |
| |
| No 26 (2015) |
ABOUT "HISTORICAL" AND "ONTOLOGICAL" SENSES OF THE CORRELATION OF AUTHENTICITY AND IMITATION |
Abstract
|
|
Е. Н. Устюгова |
| |
| No 45 (2020) |
TO THE QUESTION ABOUT THE ROLE OF SYMBOLIC IN HUMAN IDENTIFICATION INFORMATION / DIGITAL SOCIETY |
Abstract
|
|
M. G. Bresler, A. A. Rabogoshvili, A. R. Suleimanov |
| |
| No 29 (2016) |
HIEROGLYPHIC GAMES OF CHINESE ADVERTISING |
Abstract
|
|
Влада Королева |
| |
| No 17 (2013) |
PHILOSOPHICAL UNDERSTANDING OF MUSIC IN THE CONTEXT OF AESTHETIC THEORY SUSANNE LANGER |
Abstract
|
|
А. Н. Тормахова |
| |
| No 21 (2014) |
ASPECTS OF THE PROBLEM OF SCHILLER IN THE WORKS OF F. M. DOSTOEVSKY («POOR PEOPLE», «HUMILIATED AND INSULTED») |
Abstract
|
|
Е. И. Лысенкова |
| |
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