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| Issue |
Title |
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| No 34 (2017) |
TRANSFORMATION OF THE OBJECT: FROM VANGUARD TO ACTUAL ART (on the example of the concept of E. Grotowski «poor theater») |
Abstract
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|
Y. М. Maltseva/Ю.М. Мальцева |
| |
| No 57 (2023) |
The influence of Pina Bausch's dance theater on the work of Chinese contemporary director Tian Qinxin |
Abstract
|
|
Jiawen Xu |
| |
| No 39 (2019) |
«MODERNITY» AS A METACULTURAL CODE |
Abstract
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|
Л. Б. Капустина / L.B. Kapustina |
| |
| No 54 (2022) |
Pressing as a Favorite Format of the Musical Solution of the Productions of the Play “Romeo and Juliet” in the XXI Century |
Abstract
|
|
N. I. Lesakova |
| |
| No 47 (2021) |
INTERVIEW WITH A.N. NEELOV: ON CURRENT ISSUES OF ETHICAL EXPERTISEIN THEATRE |
Abstract
|
|
S. V. Glebova, L. I. Yunusova |
| |
| No 35 (2018) |
ROMANTICISM ERA - SOME FEATURES OF GERMAN MUSICAL BIEDERMEIER |
Abstract
|
|
I. B. Hmyrova-Pruel / И. Б. Хмырова-Пруель, E. M. Sakseeva/ Е.М. Саксеева |
| |
| No 25 (2015) |
FOLK TALE AND CONTEMPORARY PUPPET THEATER |
Abstract
|
|
А. Ф. Некрылова |
| |
| No 22 (2014) |
INTERACTION OF EASTERN THEATRICAL PRACTICES AND EUROPEAN AVANT-GARDE THEATRE (LANGUAGE ASPECT) |
Abstract
|
|
Ю. М. Мальцева |
| |
| No 45 (2020) |
THE THEATRICAL INTERPRETATION OF THE FARCE ALEXANDER VAMPILOV «THE ELDER SON» |
Abstract
|
|
T. V. Mezhova |
| |
| No 29 (2016) |
CHINESE MOTIVES IN RUSSIAN THEATRE ON THE BORDER OF XIX–XX CENTURIES (SOME REMARKS) |
Abstract
|
|
Ю. М. Мальцева |
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| No 17 (2013) |
ABOUT THE «SIMPLE TRUTH» IN TEAPOLITIKI 1920-30'S (BASED ON EXAMPLES OF CRITICAL CONTROVERSY IN THEATRICAL PERIODICALS) |
Abstract
|
|
Н. Х. Орлова |
| |
| No 21 (2014) |
NIETZSCHE: «APERTO LIBRO» |
Abstract
|
|
Л. Б. Капустина |
| |
| No 23 (2015) |
S. I. WITKIEWICZ AND HIS CONCEPTION OF METAPHYSICAL THEATRE |
Abstract
|
|
Н. В. Голик |
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